For the eighth exciting year we are proud to present Emerge, our annual exhibition featuring works from student photographers enrolled in Arizona high schools, community colleges, art schools, and universities across the state. Ashley Czajkowski, a local photography-based artist and educator, juried this year’s show.
In this exhibition we offer student photographers an opportunity to show their work in a professional gallery, fulfilling our mission to support early-career photographers. In addition to the exhibition, prizes will be awarded for Best in Show, sponsored by Through Each Other’s Eyes; Best of Post-High School, sponsored by Charlene Stant Engel; and Best of High School, sponsored by Kelly and Dennis Collins.
About the Juror
Ashley Czajkowski, a photography-based artist, works in a number of interdisciplinary methods. Driven by personal experience, her research explores social constructions related to femininity, mortality and the psychological manifestation of the human-animal. Though she considers herself a photographer, Czajkowski also works in video, installation, and alternative print processes, pushing the expected boundaries of the photographic art medium.
One of the most valuable rewards of studying photography is that it enables us to literally, and metaphorically, see the world around us in entirely new ways. In jurying this show, I was struck by the unique visions of these young photographers and artists. Whether this way of seeing revealed quiet moments of light and shadow or elaborately constructed scenes for the camera, the ability to use photography as a tool for exploration and creative expression was continuous throughout.
Though I did not set out to curate a show with a particular theme, a common thread began to reveal itself. Of the photographs I selected, there are many images of humans, of nature, and most curiously, of the boundaries where these two entities meet, overlap and coexist. I found myself responding to images that in some way question our current conditions of being: questions of human nature, our impact on our surroundings, our interactions with each other, and our understanding of ourselves. Almost like archaeologists of our own time, for me these photographs collectively evoke ideas related to the fragility of existence and a sense of wonder in the everyday.
– Ashley Czajkowski
Emerge 2018 Sponsors
Thank you to our generous sponsors who make our “Best of Emerge” awards possible! Our sponsors’ support of student photographers helps us share the unforgettable experience of participating in a professional exhibition, a confidence boost that can vault an emerging photographer to their next level of success.
Best in Show: $250 cash prize Sponsored by Through Each Other’s Eyes
Through Each Other’s Eyes develops exchanges with photographers in other countries for the purpose of documenting photographically a new culture from the viewpoint of an outsider.
Best of High School: $100 cash prize Sponsored by Kelly and Dennis Collins
Kelly and Dennis Collins are local artists, art patrons, and Art Intersection members.
“After quitting school at sixteen, it wasn’t until I returned for my Bachelor of Fine Arts at forty-five that I realized how important the education I had missed was. I hope this small gift is the catalyst and encouragement for a young artist to pursue their education and passion for their art.” – Dennis Collins
Best of Post-High School: $100 cash prize Sponsored by Charlene Stant Engel
Charlene Stant Engel is a local artist, art patron, and Art Intersection member.
“I look forward to the Emerge Show. Every year it is fresh and unexpected. It always makes me smile to see the work of so many intense and talented young artists. To them I say: Let nothing stop you. Keep making Art!” – Charlene Stant Engel
Submissions for Light Sensitive 2018 are now closed. For more exhibition opportunities, please visit our Calls for Work page.
Art Intersection presents Light Sensitive, an annual juried exhibition of images created using traditional and alternative photographic processes. Past work has included analog c-prints, platinum/palladium, cyanotype, gelatin silver, gum bichromate, wet plate collodion tintypes and ambrotypes, chemigrams, and other printing processes. Both 2-dimensional and 3-dimensional work may be submitted.
Art Intersection staff will select up to three artists from Light Sensitive to show additional work during the (re)View exhibition in 2018.
Important 2018 Dates
January 16 – Application with JPEG files and paid fee must be completed by midnight
January23 – You will receive an email notification of selected Work
February 20 – Due Date for selected Work to be received and ready to install at Art Intersection
March 10 – Light Sensitive Reception from 5 – 7pm, please join us!
April 21 – Light Sensitive closes at 6pm
April 26 – Local Work pick-up
May 3 – Return shipping of Work will begin
May 24 – Last Date to pick up or arrange shipment, after this date Work is considered abandoned
About the Juror
scott b. davis is an artist and founder of the Medium Festival of Photography. His photographs are created with wooden view cameras ranging in size from 8” x 10” to 16” x 20”. His photographs explore the Sonoran desert and ordinary urban spaces in the American landscape. davis’s photographic prints are made by hand using the exquisite 19th century process of platinum printing.
His work has been reviewed in the New York Times, the Village Voice, the New Yorker, Los Angeles Times, and other print media. davis’s photographs have been collected by the J. Paul Getty Museum, Pier 24 in San Francisco, the Nelson Atkins Museum of Art, the Santa Barbara Museum of Art, Museum of Photographic Arts, and others.
In our Photo Zines for Teens camp this summer, three lucky teenagers got the chance to self-publish their own zine (short for magazine) of their images! Zines are a fantastic tool for self-expression and artistic exploration, allowing young artists to see a project through from start to finish, work collaboratively, and create a finished product that can be enjoyed by anyone.
After familiarizing themselves with zine culture and the amazing variety and craftsmanship of modern zines, our students set to work creating their own.
We edited their photos down to the very best and arranged them in a sequence that had a visual and conceptual flow between the images – we like to think that a book or zine is less a collection of photos and more of a visual story!
Our teens then created their zine layout digitally in Adobe Indesign, adding in hand-drawn or written elements to accompany the pictures.
Each student printed three copies of their zine to keep or trade, and left one each to the Art Intersection Zine Library, where they can be enjoyed by anyone who visits!
Art Intersection presents the seventh annual Emerge exhibition with works from student photographers enrolled in Arizona high schools, community colleges, art schools, and universities across the state. Clare Benson, a local photographer, interdisciplinary artist and educator, juried this year’s show.
As part of our mission to support emerging artists, we offer student photographers an opportunity to show their work in the North and South Galleries at Art Intersection. In addition to the exhibition, prizes will be awarded for Best in Show, sponsored by Through Each Others Eyes, Best of Post-High School, sponsored by Tempe Camera and Best of High School, sponsored by local patrons Kelly and Dennis Collins. INFOCUS, the Photography Support Group of the Phoenix Art Museum, will award a Student Membership to each of the three winners.
About the Juror
Clare Benson is a photographer and interdisciplinary artist from the United States. Her work has been exhibited and screened throughout the US and internationally. In 2014/2015, she received a Fulbright Fellowship to conduct research in northern Sweden at the Swedish Institute of Space Physics. Other recent awards include the Magenta Foundation Flash Forward, PDN Emerging Photographer, and the Joyce Elaine Grant Solo Show Award.
Benson earned her MFA at University of Arizona in Tucson, and her BFA at Central Michigan University.
I can vividly remember the first photograph I made as a student. Armed with a pinhole camera that I had painted and taped and pin-pricked, I went outside, behind the art building, where sculpture students had their foundry and kilns and scrap materials. There was a plain wooden classroom chair, weathered from rain and sun, that I dragged to the center of the asphalt floor, imagining that it might speak as a symbol of absence and isolation, in the midst of this surreal industrial-looking space. I kneeled to the ground, pulling the piece of electrical tape that covered the aperture of my shoe box camera. I stared into this seemingly simple scene, hoping to absorb the moment in the same way that I understood the camera might. Light and darkness danced through a tiny window and onto the back wall of that miniature room. In the developing tray, I watched an image slowly appear, like a backward-fading memory, or something from a dream. The midday sky was black as night. The shadow of the chair glowed like the sun through thin overcast clouds. The entire space stretched out its long arms, pulling toward the sides of the page, blurring at the very ends, from the frayed edges of aluminum foil. Even when converted to a positive image, the world in this photograph looked nothing like the world that I had seen, but everything like the one that I had felt.
As photographers, and especially as photography students, we are constantly learning to re-see the world, using different techniques, processes, perspectives, and formats. In jurying this exhibition, I searched for moments of surprise and newness, which I remember so well from my years of studying photography. I looked at these images as stripped down fragments—concept, craft, and exploration—all existing on separate planes. Each is developed through learning and practice; sometimes all together, and sometimes in different stages. Some works display elements of all three, while some push farther into one than another, but all of them speak to processes of discovery, and the development of one’s voice as an image-maker.
I am impressed with the caliber and boldness of work by all of the Arizona students who submitted images for this exhibition, and I am grateful for the opportunity to see the world through so many different lenses; grateful to be reminded of the time, long ago, that my own world became animated with new life inside a light-tight shoe box.
Emerge 2017 Sponsors
Thank you to the sponsors of this Emerge exhibition for their support of emerging Arizona student photographers. The acknowledgement of quality and the experience gained when participating in a juried exhibition can vault an emerging photographer to reach their next level of photography.
Overall Best in Show Sponsor Through Each Others Eyes
Thank you to Through Each Others Eyes for sponsoring the Best in Show prize. Through Each Others Eyes develops exchanges with photographers in other countries for the purpose of documenting photographically a new culture from the viewpoint of an outsider.
Best of Post-High School Sponsor Tempe Camera
We thank Tempe Camera for their sponsorship of the Post High School prize. Tempe Camera is an important part of the Arizona photography community and they demonstrate their commitment to emerging photographers through their ongoing support of educational programs.
Best of High School Dennis and Kelly Collins
Thank you to Dennis and Kelly Collins, both artists and patrons of the arts, for their generous gift.
“After quitting school at sixteen, it wasn’t until I returned for my Bachelors in Fine Arts at forty-five that I realized how important the education I had missed was. I hope this small gift is the catalyst and encouragement for a young artist to pursue their education and passion for their art.” – Dennis Collins
Award to Each Best in Show Artist INFOCUS
INFOCUS, a vibrant support organization of Phoenix Art Museum (PAM), is composed of people actively interested in photography as a dynamic art form. Photographers, collectors, and photography enthusiasts working together enable INFOCUS to provide a high-quality forum for the study, display and production of fine art photographs. A Student Membership will be awarded to each of the three artists receiving a Best in Show award.
Mia Elena Acosta, Amanda Maria Beall, Angelina Benner, Autumn Bibbee-Wright, Emily Bozovich, Alacia Marie Carlisle, Granville Lee Carroll III, Natali Castro, Michael Coomer, Tristan Craig, Jeny Davis, Naomi Jo Davis, Kate Dawes, Kaden Dawson, Kymber Derrick, Joi Dunne Moore, Conor Elliott Fitzgerald, Pam Golden, Willow Greene Smith, Emily Dawn Gross, Trini Guevara, Kyle Erik Gundersen, Josh Gutierrez, Ethan Haddad, Peyton Elizabeth Hathaway, Emilee AnnMarie Haver Steagall, Amy Hector, Adella Helton, Marissa Holmberg, Kaishun Huang945, John Isner, Hao Jiang, John Terry Johnson, Cassidy Johnson, Aiden Josic, Isabella Elise Joy, Jessica Knight, Leif D. Lake, Alyssa Kay Lawson, Claudia Lopez, Olaff Lopez, Kaylee Lund, Ezekiel Johnson Lyman, Hannah Manuelito, Jonathan Marquis, Katelin Mason, Lloyd Matthews, I. Brooks McAllister, Leandra Davey Miller, Madeleine Milner, Jared Moreno, Regan Norton, Natali Olvera, Olivia Parker-Swenson, Danielle McKenna Perkins, Jessica Peters, Emma Phillips, Brooke Pusillo, Ethan Roads, Azalea Patricia Rodriguez, Noah Romney, Travis Samuelson, Stephen Sanchez, Basil Savage, Monique Sherman, Elizabeth Smith, Megan Smith, Noah Smith, Claire Marie Sorensen, Alonzo Soto Granados, Eugene Starobinskiy, Victoria Marie Strandberg, Andraya Elizabeth Straub, Fabioo Thomas, Erin Tucker, Phoebe VanGelder, Lauren Walters, Wang Weian, Willa Grayce Whiting, Landon Wiggs, Bethany Amanda Wilcken, Xana Wilcoxson, Keegan Will, Jennifer Williamson, Brooke Wright, Sam Wynne, James Young
Get back in the studio and practice your skills! If you have taken a Photogravure workshop at Art Intersection or are proficient in the process, you are invited to participate in an Open Studio day dedicated to photopolymer gravure. Please note, this is not a workshop; while you are encouraged to share knowledge with your studio mates, there will be no formal instruction.
The $40 registration fee includes your access to our lab and equipment during the Open Studio. You are welcome to bring all your own materials and pay no additional fee. However, Art Intersection will have 4×5″ SolarPlates available for $8 each, paper and ink available for $5/print, and digital negatives for $5 each – this is a great option for those just starting out with photogravure, or those that don’t want to invest in their own materials yet. These additional items will be accounted for at the end of the day.
In addition to the open lab, the day will start at 9am with a Photogravure Working Group meeting. This is an opportunity to meet other photogravure printers, reconnect with friends from workshops, and share some work you’ve done already. This meeting will last no longer than an hour, but may be briefer depending on the discussion. Art Intersection hosts Working Group meetings and Open Studios on a recurring basis.
Printing out Paper expert Siegfried Rempel will give a lecture on this fascinating process on Friday, March 24. Join us for this special opportunity to learn more about this historic method – the lecture is free and open to the public. If you’re feeling inspired, join us for our Printing out Paper Workshop the following day! Learn more and register here.
Printing out Paper, or PoP, makes an image by exposing a negative and paper to light without any chemical development. With a printing-out process, you can watch your image come to life during your exposure, rather than having to wait until it is processed! Used originally as a simplified field process without the need of a darkroom, today we use this handmade emulsion to create artful images with subtle and warm tonality.
The use of Collodion in photography for the production of photographic prints an be found as early as the 1850s, and is most commonly used in the Wet Plate Collodion process to produce tintypes and ambrotypes. The concept of an “emulsion” of silver salts in a collodion binder was introduced by Gaudin in 1853 and by 1861 he was actively producing the “Photogene” collodion emulsion.
The collodio-chloride print has a similar physical appearance to its gelatin counterparts and it can be difficult to tell them apart. In fact, modern gelatin silver darkroom papers evolved from this early printing method! Today, we still practice the collodio-chloride process because of the rich and beautiful tonality it imparts on our images.
The six artists exhibiting work in the Independent Presence exhibition join us at Art Intersection for an engaging and enlightening discussion about their work and backgrounds, creative processes, and interconnected working relationships through Salon Jane.
For ninety minutes you can engage in an interactive conversation with Robin V. Robinson, Jane Olin, Robin Ward, Martha Casanave, Susan Hyde Greene, and Anna Rheim, and following the Artist Talk, the conversation continues in the galleries for the opening reception of Independent Presence.
David Bayles, co-author of the well-known book Art & Fear: Observations on the Perils (and Rewards) of Artmaking, brings insight to the artists and concept of Independent Presence:
“The artists in this exhibition have found their place by the whole variety of means that artists use to decide who they are, but particularly by extracting themselves from the embrace of two photographic traditions that have become oppressive (West Coast landscape photography and conceptual photography) thereby freeing their intuitions to guide them towards the work they truly need to do. The resulting work belongs to no school of photography but is rather more sui generis – it generates itself out of intuition, out of perception, out of spiritual emotional and psychological relationships with the subject matter.”
Independent Presence, an exhibition bringing the mystery, nature and narrative themes of six independent artists, delivers the power of presence through work ranging from pinhole cameras and darkroom alchemy to digital capture. Each artist, with her own style and vision, shares a connection, linked together through Salon Jane.
These innovative artists escape the deep-rooted West Coast tradition of straight photography to transcend the ordinary by creating work that captures their essence. Through their relationship in the safe and supportive environment of Salon Jane, each artist seeks to expand her creativity, experiment with artistic ideas, and receive honest feedback to push the boundaries of their craft so they can continue to innovate in an already over-saturated discipline.
Artist Talk in the Gallery
An Artist Talk precedes the opening reception giving us the opportunity to hear from these accomplished artists as they discuss their work and background, creative processes, and the connection that brings them together through Salon Jane. You can expect an engaging discussion offering insights to their individual work and the synergy generated through their commitment to supporting each other’s creative growth.
Artists of Salon Jane – Robin V. Robinson, Jane Olin, Robin Ward, Martha Casanave, Susan Hyde Greene, Anna Rheim
The avant-garde rock ‘n roll diva, Nina Hagen, said it most clearly: “I know who I am and I am willing to declare myself.” To declare yourself you must first find your place in the world – a physical place, a technical place, a psychological spiritual emotional place – a place from which you can do the work you are meant to do. Without such a place it is difficult to speak authentically on the issues you mean to address.
The artists in this exhibition have found their place by the whole variety of means that artists use to decide who they are, but particularly by extracting themselves from the embrace of two photographic traditions that have become oppressive (West Coast landscape photography and conceptual photography) thereby freeing their intuitions to guide them towards the work they truly need to do. The resulting work belongs to no school of photography but is rather more sui generis – it generates itself out of intuition, out of perception, out of spiritual emotional and psychological relationships with the subject matter, and out of an intimate but lighthearted relationship with photography’s notorious technical side, all to the effect that these artists know who they are and are willing to declare themselves.
– David Bayles
Co-author of the well-known book Art & Fear: Observations on the Perils (and Rewards) of Artmaking
Martha Casanave has been a working, exhibiting, and award-winning photographer and educator for 40 years. She currently teaches photography at Monterey Peninsula College and Cabrillo College. Casanave has published four books of her work. Her latest monograph, Trajectories, A Half Century of Portraits (Image Continuum Press) was released in 2013. Casanave’s photographs are included in many major collections, including the J. Paul Getty Museum, the Art Institute of Chicago, the Boston Museum of Fine Arts, the Bibliotheque Nationale, and the Museum of the History of Photography, St. Petersburg, Russia.
Susan Hyde Greene’s images relay stories from impressions of experiences, thoughts and memories about the world around her. She slices and mends photographs into new images. Greene received her BFA in textiles, photography and art history from the University of Hawaii, Manoa and her MFA from the University of Utah. She is represented by Smith Andersen North, Green Chalk Contemporary, and SFMOMA Artists Gallery, and is represented in various public and private collections, including Adobe Systems. She won first place in the Center for Photographic Art’s 2013 Juried Exhibition and received a Marin Arts Council Individual Artists Grant.
Jane Olin has worked as a photographer in the Monterey Bay area for over twenty-five years, and has studied with Ruth Bernhard, John Sexton, and Joyce Tenneson, among others. She loves to experiment with focus, exposure, and printing techniques, both in-camera and in the darkroom. She has exhibited throughout the U. S. and Europe, and was featured in a recent two-person show at the Center for Photographic Art in Carmel, CA. Her work is in the permanent collection of the Crocker Art Museum, Sacramento, Monterey Museum of Art, Monterey, Triton Museum of Art, Santa Clara, and Museum of Photographic Arts, San Diego.
Anna Rheim graduated from Stanford University with a BA in History in 1966. She studied black and white photography and mixed media at Monterey Peninsula College with Henry Gilpin, Roger Fremier, and Don Anderson, and color photography and printing at University of California Santa Cruz with Jack Fulton. Anna has taken private classes with many noted photographers including David Bayles, Ruth Bernhard, Martha Casanave, Lisl Dennis, Tom Millea, and Ted Orland.
Robin V. Robinson is a fifth generation California central coast native. She received degrees in Engineering and Music from Stanford University and Cal Poly, San Luis Obispo. Robinson studied photography with west coast photography mentors and at City College of San Francisco and Foothill College. She has received top awards in international photographic competitions, and her work is in the permanent collection of the Monterey Museum of Art, the Bibliotheque Nationale de France, and the Mariners’ Museum in Virginia. Robinson is a Fine Print artist at the Center for Photographic Art in Carmel, CA, a Cal Poly College of Liberal Arts supporter, and a board member of the Monterey Friends of C.G. Jung.
Robin Ward discovered her love of photography at the University of North Carolina, Charlotte where she received a BA in English. She continued her photography studies by participating in various workshops, including Brooks Institute of Photography and the Center for Photographic Art where she served as a Trustee from 2010-2016. She has received several international awards, including International Photography Awards and Black & White Spider Awards and exhibited her work in numerous galleries and museums throughout the US.