Tag Archives: photography

Exploring Photography for Teens – July Session

In this workshop we will explore the fundamentals and foundations of photography with fun photo projects every day!

Students will gain an overview of photographic techniques from digital capture and printing to black and white darkroom and historical processes.

Using both digital and film cameras, students will print digitally and in the darkroom, and experiment with hand-coated alternative photographic methods.

Each student will leave with a collection of their artwork made during camp and be featured in an online exhibition at artintersection.com.

Students are welcome to bring their own cell phone/digital camera and film cameras OR use cameras provided by Art Intersection. 

There are two separate sessions of this class

To register for Session 1 (June 4 – 7), click here.

Registration for Teen Photography

Enroll in the Art Intersection Teen Photography Program
  • Parent or Guardian? * Required
    Are you the Parent or Guardian for the enrolling student?
  • Name of Parent or Guardian * Required
  • Teen's Name * Required
  • Student must be at least 13
  • Address * Required
  • Email * Required
    Parent or Guardian contact email
  • Parent or Guardian contact phone
  • Please add any information that will help us to make this a positive experience for your student in our Teen Photography program.
  • Would you like to be added to our email list? * Required

 

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Exploring Photography for Teens – June Session – Full

This session is full – there are openings in the July session.

 

In this workshop we will explore the fundamentals and foundations of photography with fun photo projects every day!

Students will gain an overview of photographic techniques from digital capture and printing to black and white darkroom and historical processes.

Using both digital and film cameras, students will print digitally and in the darkroom, and experiment with hand-coated alternative photographic methods.

Each student will leave with a collection of their artwork made during camp and be featured in an online exhibition at artintersection.com.

Students are welcome to bring their own cell phone/digital camera and film cameras OR use cameras provided by Art Intersection. 

There are two separate sessions of this class

To register for Session 2 (July 9 – 12), click here.

Refund Policy

 

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Emerge – Student Photography Exhibition

For the ninth exciting year Art Intersection presents Emerge, our annual exhibition featuring photography from student photographers enrolled in Arizona high schools, community colleges, art schools, and universities across the state. Buzzy Sullivan, a local photography-based artist and educator, juried this year’s show.

In this exhibition we offer student photographers an opportunity to show their work in a professional gallery, fulfilling our mission to support emerging photographers. Thank you to all students that submitted their images and congratulations to the students juried into the exhibition. Ninety images will be shown out of over 750 images submitted. 

In addition to the exhibition, prizes will be awarded for Best in Show, Best of Post-High School, and Best of High School.


About the Juror

Buzzy Sullivan, a photographer currently based out of Phoenix, Arizona, has exhibited his work throughout the US and internationally. Sullivan grew up in Montana, often known as “The Last Best Place”, and also home to the largest Superfund site in the United States. Montana’s duality of pristine wilderness and toxic remains formed his interest in the human/nature interface.

Sullivan currently works at the Residential Photography Faculty at Chandler-Gilbert Community College. He received his Master of Fine Art at Arizona State University in 2017 and a BFA from Oregon College of Art and Craft in 2013.

Juror Statement

Though I have found myself with a master’s degree and a career teaching photography I must admit – I failed my only high school photography course. It’s not that I wasn’t interested in the medium as a high school student, it was instead I found myself under the guidance of a wildly unimaginative teacher who wouldn’t allow 15 year-olds the latitude to explore their abilities of visual communication. Not to sound too harsh, but my high school teacher presented photography in a way that removed the student’s experience and voice from the making of a picture. She wanted us to photograph various school events, and I wanted to photograph my friends’ skateboarding. I got an F in high school photography, but the lesson that students, no matter their age, have voices has stuck with me. The job of an educator is to pull those voices out and allow latitude for experimentation. 
 
An education in photography isn’t intended to be centered solely on student’s mastery of cameras and printing techniques. Teaching is a subversive activity. We are teaching critical thinking wrapped up in visual communication. To effectively get students to think critically, educators have to bake a bit of experimentation into their curriculum.

This statement brings me to work included in the 2019 Emerge Exhibition. When jurying the work for this show, I aimed to include work that spoke to the strengths of the students reacting to the world around them and to their teachers behind the scenes who are allowing their students to experiment. As every previous year, I am impressed with the caliber and boldness of work by all of the Arizona students who submitted images for this exhibition, and I am grateful for the opportunity to see the world through their perspectives. The future is in good hands. Thank you Art Intersection for all you do to further access to art in Arizona.
– Buzzy Sullivan


Emerge 2019 Online Exhibition

Image credits (left to right): Michael Delp, Kori Branch, Sydney Schubbe

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Portfolio Sharing at Art Intersection

Join us in the Art Intersection galleries to enjoy a special Portfolio Sharing event! Get up close with some fabulous artwork and converse with the artists during a mid-day portfolio sharing on Saturday, April 6, from 11am – 1pm. Participating in a Portfolio Sharing event gives you a fantastic way to get involved with Art Intersection’s community of artists, collectors, and art enthusiasts.

This event is free and open to the public for viewing

Membership

Art Intersection welcomes anyone and everyone to attend this event, and only Art Intersection members are invited to show their work. If you are not a member, consider joining us! Members have access to discounts on workshops and lab use, invitations to VIP events, and the opportunity to exhibit their work.

Sharing your portfolio is one of several ways you can exhibit at Art Intersection, a benefit for all membership levels.  Each member will have a table top space, about 30-inches by 72-inches, to display their work.

If you would like to become a member, click here. 

Members wishing to participate, please RSVP by email info@artintersection.com or by phone 480.361.1118

 

Photopolymer Gravure with Karen Hymer

This workshop is full.
Email us to be placed on a waitlist: info@artintersection.com

Photogravure
Learn the art of photopolymer gravure printing in this one-day workshop! Using light-sensitive steel-backed Solarplates, participants will create 4 x 5 gravure etching prints from their photographs. This environmentally friendly process translates photographic detail into ink on paper with unparalleled beauty.

No prior experience with printmaking is required. All necessary aspects of printmaking will be discussed including choosing inks, papers, and wiping material. Wiping and inking techniques will be covered. Be prepared to marvel at the way your photograph is transformed through ink on paper!

The making of digital positives will be discussed, but for the workshop itself, please send one color or black and white image file (300 dpi at 10” on the long side) to be made into a digital positive prior to the workshop. An email with details will be provided once you are registered.

All materials for this workshop are included in the registration fee.

Here is a brief outline of the process that will be presented in this workshop:

  • Starting with your digital photograph, a 4 x 5 transparency positive will be made
  • The positive is then laid on top of the light sensitive polymer plate and exposed to UV light
  • Washing the plate in water etches the image onto the plate
  • Once hardened, the plate is hand inked using water-soluble intaglio inks
  • The inked plate is then run through an etching press onto dampened paper
  • You take home 3 photogravure prints of your image

About Karen Hymer
For the past five years Karen Hymer, an artist and educator based out of Silver City, New Mexico, has ventured into the world of printmaking – exploring imagery in the form of photopolymer gravures. Her current work explores the effects of time on the human body and various plant life. Hymer’s richly detailed photogravures emphasize the interplay of texture, pattern, light and shadow in muted earth tones. The decontextualized close-ups of the body and decaying plants reveal a poetic beauty in these often-over-looked subjects.

 

Refund Policy

 

Call for Work – Light Sensitive

Submission Deadline Extended to January 23

Art Intersection presents Light Sensitive, our ninth-annual, international juried exhibition of images created using traditional darkroom and historical and alternative photographic processes and methods. In the current trend of imagery presented on computer screens and the overwhelming volume of digitally printed pictures, Light Sensitive reaffirms and promotes the art of handcrafted prints that uniquely belong to the tradition of light sensitive creative processes.

As our juror this year we are honored to have Christopher James, University Professor and Director of the MFA program in Photography and Integrated Media at Lesley University, Cambridge, Massachusetts.

Awards for Light Sensitive 

First place $350
Second palce $250
Third place $150
Three honorable mentions

Art Intersection will pay return postage for individuals receiving one of the above awards and honorable mentions.

Acceptable Processes

Process  include, but are not limited, to the following: silver gelatin prints, albumen, anthotype, argyrotype, athenatype, Bayard direct positive, calotype, carbon, casein, chrysotype, cyanotype, dusting-on process, gum bichromate, gumoil, Herschel’s breath printing, photopolymer gravure, Ivorytype, kallitype, mordançage, platinum/palladium, printing-out-paper, solarplate intaglio, van dyke brown, wet plate collodion, whey process, Ziatype, combinations of any of these processes, and all photographically based image-making techniques that incorporate traditional studio-based mediums such as printmaking, ceramics, or painting. 

Both 2-dimensional and 3-dimensional work may be submitted.

Conventional, unmodified digital inkjet prints are not acceptable for entry; however, the use of digital negatives, created for printing any of the above processes is acceptable.


Important 2019 Dates

  • January 23 – Submit online with JPEG files and paid fee by midnight MT (GMT-7)
  • January 30 – You will receive an email notification of selected Work
  • February 27 – Due Date for selected Work to be received and ready to install at Art Intersection
  • March 9 – Light Sensitive seven-week exhibition opens for viewing
  • March 16 Light Sensitive Reception from 5 – 7pm, please join us!
  • April 27 Light Sensitive closes at 6pm
  • April 25 – Local Work pick-up
  • May 2 – Return shipping of Work will begin
  • May 23 – Last Date to pick up or arrange shipment, after this date Work is considered abandoned

About the Juror

Christopher James is an internationally known artist and photographer whose photographs, paintings, and alternative process printmaking have been exhibited in galleries and museums in this country and abroad. His work has been published and shown extensively, including exhibitions in the Museum of Modern Art, Metropolitan Museum of Art, George Eastman House, Philadelphia Museum of Art and the Institute of Contemporary Art-Boston. Represented by the Lee Witkin Gallery in New York City for over two decades he has also shown at Pace-McGill (NYC), Contrasts Gallery (London), Michelle Chomette (Paris), Hartje Gallery (Berlin), and Photokina (Germany). He has published extensively including Aperture, Camera (Switzerland), American Photographer, Solstice (for short fiction), and Interview magazine and in books such as The Antiquarian Avant Garde, á Prova de Aguà: Waterproof, Human Documents, and Handcrafted: The Art and Practice of the Handmade Print (China).

All three editions of his book, The Book of Alternative Photographic Processes, have received international critical acclaim and are universally recognized by artists, curators, historians, and educators as the definitive text in the genre of alternative process photography and photographically integrated media. A significantly expanded 900 page / 700 image, 3rd edition was published in 2015.

Christopher, after 13 years at Harvard University, is presently University Professor and Director of the MFA in Photography and Integrated Media program at Lesley University College of Art and Design in Cambridge, MA. He received his undergraduate degree from Massachusetts College of Art and his masters from the Rhode Island School of Design. He is also a painter, graphic designer, author, and a professional scuba diver. Christopher offers individually customized alternative process workshops and portfolio consultations in his Dublin, NH studio. Christopher’s web site is www.christopherjames-studio.com

 


Step One: Submission Guidelines

 

Step Two: Exhibition Terms and Conditions

 

Step Three: Submission Form

 

Step Four: Pay in the Blue Box Above

 

You can view images from Light Sensitive 2018 by clicking here.

Palladium over Digital Pigment

Michael Puff presents a printing process combining a Cyan-Magenta-Yellow digital print on watercolor paper with the beautiful, warm tones of palladium for the Black layer. This wonderful process connects today’s digital, color imagery with the unique properties of the nineteenth-century palladium darkroom process.

In this workshop you will print using your color digital images, create and print color separations and digital negatives, and coat, expose, and develop the palladium over layer. You will print the CMY (cyan-yellow-magenta) portion of your images onto a watercolor paper, and then finish the Black layer using palladium in the darkroom with a K (black) separated digital negative.

By the end of the workshop you will have created several prints using this beautiful process.


All images by Michael T. Puff

 

 

 

 

 

 

 

Exploring Photography for Teens – Session 2

In this workshop we will explore the fundamentals and foundations of photography with fun photo projects every day!

You will gain an overview of photographic techniques from digital capture and printing to black and white darkroom and historical processes.

You will use both digital and film cameras, print digitally and in the darkroom, and experiment with hand-coated alternative photographic methods.

Each student will leave with a collection of their artwork made during camp and be featured in an online exhibition at artintersection.com.

DSC01084_800

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Exploring Photography for Teens – Session 1

This Class is Full. There are openings for the July 10 class

In this workshop we will explore the fundamentals and foundations of photography with fun photo projects every day!

You will gain an overview of photographic techniques from digital capture and printing to black and white darkroom and historical processes.

You will use both digital and film cameras, print digitally and in the darkroom, and experiment with hand-coated alternative photographic methods.

Each student will leave with a collection of their artwork made during camp and be featured in an online exhibition at artintersection.com.

Students are welcome to bring their own cell phone/digital camera and film cameras OR use one provided by Art Intersection. 

There are two separate sessions of this class

To register for Session 2 (July 10 – 13), click here.

DSC01084_800

 

Refund Policy

 

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Emerge – Student Photography Exhibition

For the eighth exciting year we are proud to present Emerge, our annual exhibition featuring works from student photographers enrolled in Arizona high schools, community colleges, art schools, and universities across the state. Ashley Czajkowski, a local photography-based artist and educator, juried this year’s show.

In this exhibition we offer student photographers an opportunity to show their work in a professional gallery, fulfilling our mission to support early-career photographers. In addition to the exhibition, prizes will be awarded for Best in Show, sponsored by Through Each Other’s Eyes; Best of Post-High School, sponsored by Charlene Stant Engel; and Best of High School, sponsored by Kelly and Dennis Collins. 

About the Juror

Ashley Czajkowski, a photography-based artist, works in a number of interdisciplinary methods. Driven by personal experience, her research explores social constructions related to femininity, mortality and the psychological manifestation of the human-animal.  Though she considers herself a photographer, Czajkowski also works in video, installation, and alternative print processes, pushing the expected boundaries of the photographic art medium.


Juror’s Statement

One of the most valuable rewards of studying photography is that it enables us to literally, and metaphorically, see the world around us in entirely new ways. In jurying this show, I was struck by the unique visions of these young photographers and artists. Whether this way of seeing revealed quiet moments of light and shadow or elaborately constructed scenes for the camera, the ability to use photography as a tool for exploration and creative expression was continuous throughout.

Though I did not set out to curate a show with a particular theme, a common thread began to reveal itself. Of the photographs I selected, there are many images of humans, of nature, and most curiously, of the boundaries where these two entities meet, overlap and coexist. I found myself responding to images that in some way question our current conditions of being: questions of human nature, our impact on our surroundings, our interactions with each other, and our understanding of ourselves. Almost like archaeologists of our own time, for me these photographs collectively evoke ideas related to the fragility of existence and a sense of wonder in the everyday.

– Ashley Czajkowski


Emerge 2018 Sponsors

Thank you to our generous sponsors who make our “Best of Emerge” awards possible! Our sponsors’ support of student photographers helps us share the unforgettable experience of participating in a professional exhibition, a confidence boost that can vault an emerging photographer to their next level of success.

Best in Show: $250 cash prize
Sponsored by Through Each Other’s Eyes
Through Each Other’s Eyes develops exchanges with photographers in other countries for the purpose of documenting photographically a new culture from the viewpoint of an outsider.

Best of High School: $100 cash prize
Sponsored by Kelly and Dennis Collins
Kelly and Dennis Collins are local artists, art patrons, and Art Intersection members.

“After quitting school at sixteen, it wasn’t until I returned for my Bachelor of Fine Arts at forty-five that I realized how important the education I had missed was. I hope this small gift is the catalyst and encouragement for a young artist to pursue their education and passion for their art.” – Dennis Collins

 

Best of Post-High School: $100 cash prize
Sponsored by Charlene Stant Engel
Charlene Stant Engel is a local artist, art patron, and Art Intersection member.

“I look forward to the Emerge Show. Every year it is fresh and unexpected. It always makes me smile to see the work of so many intense and talented young artists. To them I say: Let nothing stop you. Keep making Art!” – Charlene Stant Engel


Emerge 2018

Header image: Attainment, Granville Lee Carroll

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