Get back in the studio and practice your skills! If you taken a Photogravure workshop at Art Intersection or are proficient in the process, your are invited to participate in an Open Studio day dedicated to photopolymer gravure. Please note, this is not a workshop; while you are encouraged to share knowledge with your studio mates, there will be no formal instruction.
The $40 registration fee includes your access to our lab and equipment during the Open Studio. You are welcome to bring all your own materials and pay no additional fee. However, Art Intersection will have 4×5″ SolarPlates available for $8 each, paper and ink available for $5/print, and digital negatives for $5 each – this is a great option for those just starting out with photogravure, or those that don’t want to invest in their own materials yet. These additional items will be accounted for at the end of the day.
In addition to the open lab, the day will start at 9am with a Photogravure Working Group meeting. This is an opportunity to meet other photogravure printers, reconnect with friends from workshops, and share some work you’ve done already. This meeting will last no longer than an hour, but may be briefer depending on the discussion. Art Intersection hosts Working Group meetings and Open Studios on a recurring basis.
Photogravure Learn the art of photopolymer gravure printing in this one-day workshop! Using light-sensitive steel-backed Solarplates, participants will create 4 x 5 gravure etching prints from their photographs. This environmentally friendly process translates photographic detail into ink on paper with unparalleled beauty.
No prior experience with printmaking is required. All necessary aspects of printmaking will be discussed including choosing inks, papers, and wiping material. Wiping and inking techniques will be covered. Be prepared to marvel at the way your photograph is transformed through ink on paper!
The making of digital positives will be discussed, but for the workshop itself, please send one color or black and white image file (300 dpi at 10” on the long side) to be made into a digital positive prior to the workshop. An email with details will be provided once you are registered.
All materials for this workshop are included in the registration fee.
Here is a brief outline of the process that will be presented in this workshop:
Starting with your digital photograph, a 4 x 5 transparency positive will be made
The positive is then laid on top of the light sensitive polymer plate and exposed to UV light
Washing the plate in water etches the image onto the plate
Once hardened, the plate is hand inked using water-soluble intaglio inks
The inked plate is then run through an etching press onto dampened paper
You take home 3 photogravure prints of your image
Meet the instructor and get a preview of the process! Karen Hymer will be giving an artist lecture on Friday, April 7 from 6:30 – 8pm. This lecture is free and open to the public.
The day after the workshop, return to the studio to practice your skills in our Photogravure Open Studio on Sunday, April 9. Learn more and register here.
About Karen Hymer Karen Hymer is an artist and educator based out of Tucson, Arizona. For the past three years she has ventured into the world of printmaking – exploring imagery in the form of photopolymer gravures. Her current work explores the effects of time on the human body and various plant life. Hymer’s richly detailed photogravures emphasize the interplay of texture, pattern, light and shadow in muted earth tones. The decontextualized close-ups of the body and decaying plants reveal a poetic beauty in these often over-looked subjects.
Printing out Paper expert Siegfried Rempel will give a lecture on this fascinating process on Friday, March 24. Join us for this special opportunity to learn more about this historic method – the lecture is free and open to the public. If you’re feeling inspired, join us for our Printing out Paper Workshop the following day! Learn more and register here.
Printing out Paper, or PoP, makes an image by exposing a negative and paper to light without any chemical development. With a printing-out process, you can watch your image come to life during your exposure, rather than having to wait until it is processed! Used originally as a simplified field process without the need of a darkroom, today we use this handmade emulsion to create artful images with subtle and warm tonality.
The use of Collodion in photography for the production of photographic prints an be found as early as the 1850s, and is most commonly used in the Wet Plate Collodion process to produce tintypes and ambrotypes. The concept of an “emulsion” of silver salts in a collodion binder was introduced by Gaudin in 1853 and by 1861 he was actively producing the “Photogene” collodion emulsion.
The collodio-chloride print has a similar physical appearance to its gelatin counterparts and it can be difficult to tell them apart. In fact, modern gelatin silver darkroom papers evolved from this early printing method! Today, we still practice the collodio-chloride process because of the rich and beautiful tonality it imparts on our images.
The six artists exhibiting work in the Independent Presence exhibition join us at Art Intersection for an engaging and enlightening discussion about their work and backgrounds, creative processes, and interconnected working relationships through Salon Jane.
For ninety minutes you can engage in an interactive conversation with Robin V. Robinson, Jane Olin, Robin Ward, Martha Casanave, Susan Hyde Greene, and Anna Rheim, and following the Artist Talk, the conversation continues in the galleries for the opening reception of Independent Presence.
David Bayles, co-author of the well-known book Art & Fear: Observations on the Perils (and Rewards) of Artmaking, brings insight to the artists and concept of Independent Presence:
“The artists in this exhibition have found their place by the whole variety of means that artists use to decide who they are, but particularly by extracting themselves from the embrace of two photographic traditions that have become oppressive (West Coast landscape photography and conceptual photography) thereby freeing their intuitions to guide them towards the work they truly need to do. The resulting work belongs to no school of photography but is rather more sui generis – it generates itself out of intuition, out of perception, out of spiritual emotional and psychological relationships with the subject matter.”
Independent Presence, an exhibition bringing the mystery, nature and narrative themes of six independent artists, delivers the power of presence through work ranging from pinhole cameras and darkroom alchemy to digital capture. Each artist, with her own style and vision, shares a connection, linked together through Salon Jane.
These innovative artists escape the deep-rooted West Coast tradition of straight photography to transcend the ordinary by creating work that captures their essence. Through their relationship in the safe and supportive environment of Salon Jane, each artist seeks to expand her creativity, experiment with artistic ideas, and receive honest feedback to push the boundaries of their craft so they can continue to innovate in an already over-saturated discipline.
Artist Talk in the Gallery
An Artist Talk precedes the opening reception giving us the opportunity to hear from these accomplished artists as they discuss their work and background, creative processes, and the connection that brings them together through Salon Jane. You can expect an engaging discussion offering insights to their individual work and the synergy generated through their commitment to supporting each other’s creative growth.
Artists of Salon Jane – Robin V. Robinson, Jane Olin, Robin Ward, Martha Casanave, Susan Hyde Greene, Anna Rheim
The avant-garde rock ‘n roll diva, Nina Hagen, said it most clearly: “I know who I am and I am willing to declare myself.” To declare yourself you must first find your place in the world – a physical place, a technical place, a psychological spiritual emotional place – a place from which you can do the work you are meant to do. Without such a place it is difficult to speak authentically on the issues you mean to address.
The artists in this exhibition have found their place by the whole variety of means that artists use to decide who they are, but particularly by extracting themselves from the embrace of two photographic traditions that have become oppressive (West Coast landscape photography and conceptual photography) thereby freeing their intuitions to guide them towards the work they truly need to do. The resulting work belongs to no school of photography but is rather more sui generis – it generates itself out of intuition, out of perception, out of spiritual emotional and psychological relationships with the subject matter, and out of an intimate but lighthearted relationship with photography’s notorious technical side, all to the effect that these artists know who they are and are willing to declare themselves.
– David Bayles
Co-author of the well-known book Art & Fear: Observations on the Perils (and Rewards) of Artmaking
Martha Casanave has been a working, exhibiting, and award-winning photographer and educator for 40 years. She currently teaches photography at Monterey Peninsula College and Cabrillo College. Casanave has published four books of her work. Her latest monograph, Trajectories, A Half Century of Portraits (Image Continuum Press) was released in 2013. Casanave’s photographs are included in many major collections, including the J. Paul Getty Museum, the Art Institute of Chicago, the Boston Museum of Fine Arts, the Bibliotheque Nationale, and the Museum of the History of Photography, St. Petersburg, Russia.
Susan Hyde Greene’s images relay stories from impressions of experiences, thoughts and memories about the world around her. She slices and mends photographs into new images. Greene received her BFA in textiles, photography and art history from the University of Hawaii, Manoa and her MFA from the University of Utah. She is represented by Smith Andersen North, Green Chalk Contemporary, and SFMOMA Artists Gallery, and is represented in various public and private collections, including Adobe Systems. She won first place in the Center for Photographic Art’s 2013 Juried Exhibition and received a Marin Arts Council Individual Artists Grant.
Jane Olin has worked as a photographer in the Monterey Bay area for over twenty-five years, and has studied with Ruth Bernhard, John Sexton, and Joyce Tenneson, among others. She loves to experiment with focus, exposure, and printing techniques, both in-camera and in the darkroom. She has exhibited throughout the U. S. and Europe, and was featured in a recent two-person show at the Center for Photographic Art in Carmel, CA. Her work is in the permanent collection of the Crocker Art Museum, Sacramento, Monterey Museum of Art, Monterey, Triton Museum of Art, Santa Clara, and Museum of Photographic Arts, San Diego.
Anna Rheim graduated from Stanford University with a BA in History in 1966. She studied black and white photography and mixed media at Monterey Peninsula College with Henry Gilpin, Roger Fremier, and Don Anderson, and color photography and printing at University of California Santa Cruz with Jack Fulton. Anna has taken private classes with many noted photographers including David Bayles, Ruth Bernhard, Martha Casanave, Lisl Dennis, Tom Millea, and Ted Orland.
Robin V. Robinson is a fifth generation California central coast native. She received degrees in Engineering and Music from Stanford University and Cal Poly, San Luis Obispo. Robinson studied photography with west coast photography mentors and at City College of San Francisco and Foothill College. She has received top awards in international photographic competitions, and her work is in the permanent collection of the Monterey Museum of Art, the Bibliotheque Nationale de France, and the Mariners’ Museum in Virginia. Robinson is a Fine Print artist at the Center for Photographic Art in Carmel, CA, a Cal Poly College of Liberal Arts supporter, and a board member of the Monterey Friends of C.G. Jung.
Robin Ward discovered her love of photography at the University of North Carolina, Charlotte where she received a BA in English. She continued her photography studies by participating in various workshops, including Brooks Institute of Photography and the Center for Photographic Art where she served as a Trustee from 2010-2016. She has received several international awards, including International Photography Awards and Black & White Spider Awards and exhibited her work in numerous galleries and museums throughout the US.
Art Intersection presents Light Sensitive, an annual juried exhibition of images created using traditional and alternative photographic processes. Past work has included analog c-prints, platinum/palladium, cyanotype, gelatin silver, gum bichromate, wet plate collodion tintypes and ambrotypes, chemigrams, and other printing processes. Both 2-dimensional and 3-dimensional work may be submitted.
The Art Intersection curatorial staff will select three artists from Light Sensitive to show additional work during the (re)View exhibition in November 2017.
January 23 (deadline extended): Application and JPEG submissions due
January 31: Notification of selected work
February 25: Selected work due at Art Intersection
March 4: Opening reception Saturday 6 – 8pm
April 15: Exhibition closes Saturday at 6pm
About the Juror
Ann M. Jastrab is currently the gallery director at RayKo Photo Center located in the SOMA arts district in San Francisco near SFMOMA and the Yerba Buena Arts Center. RayKo is a comprehensive photographic facility with rental darkrooms, digital labs, studio and galleries that has been serving the San Francisco Bay Area for over 20 years. RayKo Gallery serves to advance public appreciation of photography and create opportunities for regional, national and international artists to create and present their work. RayKo Gallery offers over 1600 square feet of exhibition space and presents eight to ten exhibitions yearly with many nationally recognized artists; there is also a section of the gallery called The Marketplace that is reserved for Bay Area artists and displays a wide variety of photographic work. RayKo also has a thriving artist-in-residence program.
Besides being a curator, Ann Jastrab, with an MFA degree, is a fine art photographer, master printer, and teacher as well. Ann has curated many exhibitions for RayKo as well as juried exhibitions for the San Francisco Arts Commission, the Academy of Art in San Francisco, Artspan, SFAI, the Center for Fine Art Photography, and other national and international venues outside of San Francisco. She has reviewed portfolios at the Seoul International Photography Festival in Korea, FotoFest, Photolucida, GuatePhoto, Review Santa Fe, Review LA, PhotoAlliance (Our World), SPE, Medium, Palm Springs Photo Festival, Filter, Lishui International Photography Festival in China, and Click646 as well as being a juror for Critical Mass. She has also been teaching courses at the Maine Media Workshops (formerly the Maine Photographic Workshops) in Rockport, Maine since 1994.
Ann is always looking for new artists for the gallery, both for solo shows and group shows. She is most interested in seeing documentary projects, fine art photography, alternative processes/historical process work, and also work made with traditional film cameras as well as plastic and pinhole cameras. Ann is not interested in seeing work that is obviously digitally manipulated. Ann can offer exhibition opportunities as well as resident artist possibilities.
Application to Light Sensitive 2017 is now closed.
You can view images from Light Sensitive 2016 by clicking here.
The platinum/palladium process is one of the most beautiful and archival processes, and in this workshop, you will create platinum/palladium prints from your images. Michael will teach a one-day, introductory workshop about this luminous 19th century process in the Art Intersection Photographic Arts Lab and the participants will take home two to three prints of their images.
As a participant, you will send digital files to us and Michael will create a digital negative adjusted for his process. You will hand-coat fine art paper with the light-sensitive solution and expose the sensitized paper through your digital negative using one of our UV light sources. After processing the exposed paper, you will have your photograph as a platinum/palladium print.
Art Intersection will supply all materials for this workshop. The making of a digital negative will be discussed, but for the workshop itself, please send two color or black and white image files (300 dpi at 10” on the long side), at least one week prior to the workshop. An email with details will be provided once you are registered.
Before the workshop, learn more about your instructor and get a preview of the platinum/palladium process! Michael will give a free lecture on his artistic practice on Friday, October 28 from 6:30 – 8pm.
Michael T. Puff
Michael T. Puff lives and works in the San Francisco Bay Area. He’s been a visual artist since early childhood, working as a painter and sculptor. During his years in higher education studying Theater Arts and Egyptian Archaeology, Puff worked as a theater set designer and received many awards for his work from San Francisco Bay Theater Critics. Today he works as a systems computer programmer at Stanford University and builds miniatures, while also pursuing his passion of fine art photography.
Puff began photographing in 2004 and later, under the guidance of master printer Mark I. Nelson, learned the platinum/palladium printing method he uses in his current work. Puff uses modern digital image capture with the extremely permanent and hand-crafted platinum and palladium printing process, merging the contemporary with the historical to produce unique and captivating images. The time-staking printing process he uses, which incorporates platinum and palladium metals into the chemistry, allows for a unique image with a beautiful color and tonal range.
Puff’s love for the theater is evident in much of his work, as he photographs on stage-like sets, often using dancers and actors as models, with images that could function as small moments from a larger narrative. A surreal theme runs through much of his work, as he uses his strong digital editing skills to manipulate scale and mood creating complex otherworldly images.
An image that will be featured in Michael T. Puff’s solo exhibition in Ryan Gallery
Phoenix Rising by Michael T. Puff – featured in the Off the Wall exhibition and silent auction
Thanks to everyone who made it out to the opening reception for Emerge 2016! We love seeing the support these early-career artists get from their families, friends, and mentors.
Emerge 2016, our annual juried exhibition of high school-through-graduate school student photography, is one of our favorite exhibitions because we are always dazzled by the quality of work that we receive. This year was no exception! As juror William LeGoullon writes in his Juror’s Statement, “Emerge 2016 for me as a juror is about examining how students continue to challenge the ways we think about and develop the medium while simultaneously recognizing photography’s unique relationship to our culture as a whole.”
Congratulations to our award winners! Buzzy Sullivan won Best of Show, Brooke Wright took home Best of High School, and Aurora Berger received Best of Post-High School. We are grateful for our sponsors Freestyle Photographic Supplies (Best of Show), Tempe Camera (Best of High School and Post-High School), and INFOCUS (all award levels) for providing the prizes for these awards. Honorable Mentions were awarded to Boyana Babanovski, Christine Elysse Crossen, Pam Golden, Azalea Patricia Rodriguez, Adelaide West and Xana Wilcoxson.
Mia Tennant was a very talented Gilbert High School student photographer who passed away last year. To honor her memory, several of her photographs are on display alongside Emerge 2016. We were honored to have Mia’s mother, father, and brother join us for the reception.
Victoria Bridges poses with her mother
Prescott College student William Flemer with his artwork
Adelaide West with her artwork
Art Intersection intern Autumn Bibbee-Wright with her artwork
Emerge 2016 juror poses with Claire A. Warden and David Emitt Adams
Best of Show winner Buzzy Sullivan with his artwork
Best of High School winner Brooke Wright and family with her artwork
Best of Post-High School winner Aurora Berger with her artwork