Tag Archives: gum bichromate

Call for Work – Light Sensitive

Submission Deadline Extended to January 23

Art Intersection presents Light Sensitive, our ninth-annual, international juried exhibition of images created using traditional darkroom and historical and alternative photographic processes and methods. In the current trend of imagery presented on computer screens and the overwhelming volume of digitally printed pictures, Light Sensitive reaffirms and promotes the art of handcrafted prints that uniquely belong to the tradition of light sensitive creative processes.

As our juror this year we are honored to have Christopher James, University Professor and Director of the MFA program in Photography and Integrated Media at Lesley University, Cambridge, Massachusetts.

Awards for Light Sensitive 

First place $350
Second palce $250
Third place $150
Three honorable mentions

Art Intersection will pay return postage for individuals receiving one of the above awards and honorable mentions.

Acceptable Processes

Process  include, but are not limited, to the following: silver gelatin prints, albumen, anthotype, argyrotype, athenatype, Bayard direct positive, calotype, carbon, casein, chrysotype, cyanotype, dusting-on process, gum bichromate, gumoil, Herschel’s breath printing, photopolymer gravure, Ivorytype, kallitype, mordançage, platinum/palladium, printing-out-paper, solarplate intaglio, van dyke brown, wet plate collodion, whey process, Ziatype, combinations of any of these processes, and all photographically based image-making techniques that incorporate traditional studio-based mediums such as printmaking, ceramics, or painting. 

Both 2-dimensional and 3-dimensional work may be submitted.

Conventional, unmodified digital inkjet prints are not acceptable for entry; however, the use of digital negatives, created for printing any of the above processes is acceptable.


Important 2019 Dates

  • January 23 – Submit online with JPEG files and paid fee by midnight MT (GMT-7)
  • January 30 – You will receive an email notification of selected Work
  • February 27 – Due Date for selected Work to be received and ready to install at Art Intersection
  • March 9 – Light Sensitive seven-week exhibition opens for viewing
  • March 16 Light Sensitive Reception from 5 – 7pm, please join us!
  • April 27 Light Sensitive closes at 6pm
  • April 25 – Local Work pick-up
  • May 2 – Return shipping of Work will begin
  • May 23 – Last Date to pick up or arrange shipment, after this date Work is considered abandoned

About the Juror

Christopher James is an internationally known artist and photographer whose photographs, paintings, and alternative process printmaking have been exhibited in galleries and museums in this country and abroad. His work has been published and shown extensively, including exhibitions in the Museum of Modern Art, Metropolitan Museum of Art, George Eastman House, Philadelphia Museum of Art and the Institute of Contemporary Art-Boston. Represented by the Lee Witkin Gallery in New York City for over two decades he has also shown at Pace-McGill (NYC), Contrasts Gallery (London), Michelle Chomette (Paris), Hartje Gallery (Berlin), and Photokina (Germany). He has published extensively including Aperture, Camera (Switzerland), American Photographer, Solstice (for short fiction), and Interview magazine and in books such as The Antiquarian Avant Garde, á Prova de Aguà: Waterproof, Human Documents, and Handcrafted: The Art and Practice of the Handmade Print (China).

All three editions of his book, The Book of Alternative Photographic Processes, have received international critical acclaim and are universally recognized by artists, curators, historians, and educators as the definitive text in the genre of alternative process photography and photographically integrated media. A significantly expanded 900 page / 700 image, 3rd edition was published in 2015.

Christopher, after 13 years at Harvard University, is presently University Professor and Director of the MFA in Photography and Integrated Media program at Lesley University College of Art and Design in Cambridge, MA. He received his undergraduate degree from Massachusetts College of Art and his masters from the Rhode Island School of Design. He is also a painter, graphic designer, author, and a professional scuba diver. Christopher offers individually customized alternative process workshops and portfolio consultations in his Dublin, NH studio. Christopher’s web site is www.christopherjames-studio.com

 


Step One: Submission Guidelines

 

Step Two: Exhibition Terms and Conditions

 

Step Three: Submission Form

 

Step Four: Pay in the Blue Box Above

 

You can view images from Light Sensitive 2018 by clicking here.

Tri-Color Gum Bichromate – Round 2

Our first Tri-Color Gum Bichromate workshop with Diana Bloomfield last September was such a hit, we decided to do it all again! This past Saturday and Sunday Diana led nine students through this labor-intensive and difficult process. The workshop included many first-time gum printers, and despite the tricky nature of the process, all produced fantastic prints! As we gathered around to look at everyone’s completed work at the end of the two days, one thing was apparent: there is nothing like the magic of gum printing, and no one better to teach it than Diana Bloomfield!

We are grateful for all of our students, but we especially would like to extend a big THANK YOU to our four class participants who travelled from far, far away to take this workshop with us – Cary from Alaska, Timothy from Michigan, and Scott and Kelly from Pennsylvania. We’re so glad you could join us!

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Diana discusses digital negatives during her demonstration at the beginning of the workshop

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Diana “develops” an exposed print in water

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Diana discusses the cyan-layer exposure she demonstrated as it hangs to dry – Terry, the student who provided the negative for this print, will later add yellow and magenta layers

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Janet washes out her print after exposing the yellow layer

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Karen coats her paper with a mixture of watercolor pigment suspended in potassium dichromate and gum arabic. The potassium dichromate hardens the gum arabic upon exposure to UV light; the parts of the coating blocked by the negative remain soft and wash away in water.

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Tim washes out his print

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Kelly very carefully registers the negative for her next layer

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Janet, Tom, and Matthew attend to their prints

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Each layer of pigment make a big impact when gum printing. The print on the left includes cyan, yellow, and magenta layers; the print on the right includes cyan and yellow. Both prints by Karen Hymer

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Diana discusses the finished prints one by one with the class

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Karen, Diana, and Tom mask off the brush-marked border of Cary King’s image in order to look at the print without visual distractions

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Scott Wrage shares his tri-color print, not yet dry enough to pin up, with the rest of the class

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Prints clockwise from left by Matthew Covarrubius, Kelly Wrage, Karen Hymer, and Timothy Wells

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