Spend an evening with Tucson artist Kate Breakey as she discusses her work and artistic journey, including her usage of hand-coloring and orotone techniques to create gorgeously rich representations of still life imagery.
For the unique opportunity to learn from Kate, sign up for our Hand-Coloring Photographs Workshop. To see Kate’s hand-colored artwork in person, from January 23 through February 24 Art Intersection presents an exhibition of her work in the South Gallery .
We are pleased to present this lecture in collaboration with INFOCUS, the photography support group of the Phoenix Art Museum. This event will take place in Singer Hall at the Phoenix Art Museum on Wednesday, February 21 at 6:30pm.
Kate Breakey is internationally known for her large-scale, richly hand-colored photographs including her acclaimed series of luminous portraits of birds, flowers and animals in an ongoing series called Small Deaths published in 2001 by University of Texas Press with a foreword by noted art critic, A. D. Coleman. Since 1980 her work has appeared in more than 100 one-person exhibitions and in over 50 group exhibitions in the US, France, Japan, Australia, China, and New Zealand. Her work is held in many public institutions including the Center for Creative Photography in Tucson, the Museum of Photographic Arts in San Diego, the Museum of Fine Arts in Houston, the Wittliff Collections at Texas State University in San Marcos, the Austin Museum of Art, the Australian National Gallery in Canberra and the Osaka Museum in Osaka, Japan. Her third book, Painted Light, published by the University of Texas in 2010, is a career retrospective that encompasses a quarter century of prolific image making.
Her collection of photograms, entitled Las Sombras / The shadows was published by University of Texas Press in October 2012. This series is a continuation of her lifetime investigation of the natural world which in her own words is ‘brimming with fantastic mysterious beautiful things’.
A native of South Australia, Kate moved to Austin, Texas in 1988. She completed a Master of Fine Art degree at the University of Texas in 1991 where she also taught photography in the Department of Art and Art History until 1997. In 1999, she moved to Tucson, Arizona. In 2004 she received the Photographer of the Year award from the Houston Center for Photography. She now regularly teaches at the Santa Fe Photographic workshops, and The Italy ‘Spirit into Matter’ workshops.
Her landscape images – selected from a life-time of photographing all over the world – were published by Etherton Gallery in a Catalogue entitled Slow Light. She also works with gold-leaf to produce a modern day versions of an archaic photographic process called an Orotone.
Join us Friday, September 29 for an Artist Lecture with Phoenix-based artist Jace Becker! Jace will speak about his growth as an artist and how his artistic journey led him to the process of Mordançage, as well as the history of the process and others who have contributed to its evolution. This lecture is free and open to the public.
To try Mordançage for yourself, sign up for our Mordançage Workshop with Jace Becker on Saturday, October 7 and Sunday, October 8! Click here for more details and to register.
Jace earned degrees in photography and anthropology from Montana State University, and is currently a 3rd year MFA candidate in Photography at Arizona State. His work focuses on the cultural landscape, specifically social and self-exploration, issues of identity, vulnerability, and the darker sides of introspection. His area of emphasis is in alternative processes. When he is not hiding from the Arizona sun in his darkroom, he is an avid rock climber, surfer, and lover of sailing.
God’s Vengeance Falls Like Mist, Jace Becker
Printing out Paper expert Siegfried Rempel will give a lecture on this fascinating process on Friday, March 24. Join us for this special opportunity to learn more about this historic method – the lecture is free and open to the public. If you’re feeling inspired, join us for our Printing out Paper Workshop the following day! Learn more and register here.
Printing out Paper, or PoP, makes an image by exposing a negative and paper to light without any chemical development. With a printing-out process, you can watch your image come to life during your exposure, rather than having to wait until it is processed! Used originally as a simplified field process without the need of a darkroom, today we use this handmade emulsion to create artful images with subtle and warm tonality.
The use of Collodion in photography for the production of photographic prints an be found as early as the 1850s, and is most commonly used in the Wet Plate Collodion process to produce tintypes and ambrotypes. The concept of an “emulsion” of silver salts in a collodion binder was introduced by Gaudin in 1853 and by 1861 he was actively producing the “Photogene” collodion emulsion.
The collodio-chloride print has a similar physical appearance to its gelatin counterparts and it can be difficult to tell them apart. In fact, modern gelatin silver darkroom papers evolved from this early printing method! Today, we still practice the collodio-chloride process because of the rich and beautiful tonality it imparts on our images.
This past Saturday, January 9, we hosted a Walk and Talk with Jonah Calinawan, Karen Hymer, Amy Rockett-Todd, and Rebecca Sexton Larson, all featured in (re)View: Explorations in Human Nature. We were so pleased that the artists could travel to Gilbert from around the country to celebrate the exhibition with us!
Amy Rockett-Todd gets personal while talking about her albumen plates
Rebecca Sexton-Larson discusses her work and the bromoil process she uses
Karen Hymer explains that her photogravures draw on the idea that beauty is not only for the young
Jonah Calinawan discusses his fantasy-inspired cyanotype self-portraits
A closing reception for both (re)View and Next Level followed the Walk and Talk. It was great to see the artists among their exhibited work and meet so many of their friends and family! Thank you to everyone that came out!
Tags: jonah calinawan
, amy rockett-todd
, rebecca sexton larson
, alternative photographic process
, art gallery
, historical processes
, artist lecture
, artist talk
, art exhibit
, karen hymer
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