BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Art Intersection - ECPv6.5.0.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://artintersection.com X-WR-CALDESC:Events for Art Intersection REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Denver BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20220313T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20221106T080000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Denver:20220408T080000 DTEND;TZID=America/Denver:20220805T010000 DTSTAMP:20260408T044731 CREATED:20220407T231626Z LAST-MODIFIED:20230517T180716Z UID:10008670-1649404800-1659661200@artintersection.com SUMMARY:Call for Work - Picturing Resistance DESCRIPTION:Submission Deadline Extended To\nThursday\, August 4\nSubmit your images taken from marches\, protests\, rallies\, and demonstrations\, whether you are in solidarity with the marchers or documenting their voices. Your images should show people\, in the public view\, voicing their passion for change. This Picturing Resistance exhibition at Art Intersection gives your photographs visibility and exposes the energy you captured. \nThere are no timeframe restrictions for photographs\, only that you are the photographer or you own the copyright to an historical image from your collection. We wish to present the landscape of people engaged in the act of creating change by exercising their right to be noisy. \nIf you use a phone camera to photograph protests and marches\, let us know if you need help printing images from your phone for this exhibition. \nOur juror\, Ken Light\, photographer\, author\, and a Reva and David Logan Professor of Photojournalism at the University of California\, Berkeley\, will select from submitted images. \nMelanie Light and Ken Light’s book\, Picturing Resistance\, serves as the inspiration for this juried exhibition\, and a must own book for anyone interested in social justice movements in the past seven decades.  \nIn Ryan gallery Ken Light’s images from his book Midnight La Frontera will be shown during the Picturing Resistance exhibition.  \nAbout the Juror\nKen Light\, a freelance documentary photographer for over fifty years\, focuses on social issues facing America. A recipient of a Guggenheim Fellowship\, his work has been published in twelve books\, in magazines\, exhibitions and numerous anthologies\, exhibition catalogues and a variety of media\, digital and motion picture. \nHis most recent book Course of the Empire\, published by Steidl\, portrays a decade of mounting tension in a polarized America\, from Wall Street to the rural heartland and is a portrait of the American social landscape and is a riveting historical and visual record of a complicated country in a complicated time. \nMidnight La Frontera (TBW Books) illustrates\, in piercing words and in strobe lit images caught against the dark of night\, the struggle and defiance of those who make the perilous hike for days and weeks in search of the American Dream. \nImportant Picturing Resistance Exhibition Dates \n\nAugust 4: Online submissions due by midnight Arizona time\nAugust 9: Email notification of artists selected for exhibition\nAugust 27: Deliver selected work ready to install\nSeptember 10: Opening reception 5pm to 8pm\nSeptember 10 through October 22: Exhibition dates\nOctober 27: Work available for pickup \nNovember 3: Work shipping begins \n\nBanner image by Ken Light URL:https://artintersection.com/event/call-for-work-picturing-resistance/ LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States CATEGORIES:Exhibitions,Call for Work ATTACH;FMTTYPE=image/jpeg:https://artintersection.com/wp-content/uploads/2022/04/©KenLight-WGO-0042A-Small.jpg GEO:33.3537421;-111.7894299 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Intersection 207 N Gilbert Rd # 210 Gilbert AZ 85234 United States;X-APPLE-RADIUS=500;X-TITLE=207 N Gilbert Rd # 210:geo:-111.7894299,33.3537421 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20220716T080000 DTEND;TZID=America/Denver:20220827T170000 DTSTAMP:20260408T044731 CREATED:20220630T211531Z LAST-MODIFIED:20220818T210356Z UID:10008957-1657958400-1661619600@artintersection.com SUMMARY:Light Sensitive DESCRIPTION:Art Intersection presents Light Sensitive\, our twelfth\, international juried exhibition of images created using traditional darkroom\, historical\, and alternative photographic processes and methods. This year we are honored to have photographer and alternative photography process artisan Elizabeth Opalenik jury the submitted work. \nAs we have seen technology trends continue to drive digital photography and presentation\, Light Sensitive highlights art from artists working in traditional and historical printing processes. \nLight Sensitive seeks to celebrate\, promote\, and reaffirm the art of handcrafted prints that uniquely belong to the tradition of light sensitive creative processes. Each year we are in search for work that represents creativity\, passion\, and displays the beauty of these light sensitive processes. \nBanner images by Randall Tosh\, Lynn Bierbaum\, Mary Nation \n\nAwards\nChoosing awards in the diverse juried selections of this year’s Light Sensitive presents the challenge to weigh qualitative aesthetics of the presentation\, with the strength of the image\, and technical mastery of the process. From cyanotype to platinum to ambrotype prints\, the wide gamut of techniques and presentations made a formidable task to assign awards. Presenting awards acknowledges accomplishment and excellence in presentation\, image\, and technique\, and encourage everyone to continue to push their work through into the next level. \nCongratulations to the awardees and everyone juried into Light Sensitive. \nFirst Place – Lou McCorkle\nSecond Place – Marita Gootee\nThird Place – William W. Fuller\nAward of Excellence for Collaborative Work – Kenro Izu / Veritas Editions\nHonorable Mentions – Gary Baker\, Chuck Davis\, Sarah S. Curley\, Jon Jeffery\, Annie Lopez\, Marek Matusz\, Alyssa McKenna\, Mary A.  Nation\, Cyd Peroni\, Phyllis Schwartz\, Fred Ullrich\, Angela Franks Wells\, Ryan Zoghlin \n \n\n\nAbout the Juror\n\nElizabeth spun a map on a lazy-susan in 1968 and left home to the sound of peace marches and her mother saying\, “I knew you were different from the time you were two.” She discovered photography as a metaphor for life in 1979 at the Maine Photographic Workshops and discovered passion and possibilities in Provence in 1983 where she later began her evolution as a Mordançeuse. Traveling through six continents\, camera in hand\, she connects life’s possibilities through teaching workshops\, humanitarian projects and making art.  \n“I am a photographic artist\, educator and freelance photographer traveling the world with my camera and I love it. Philanthropic projects keep me grounded and connected universally. \nI believe that all good photographs are self portraits and know that my many former lives manifest themselves in my images. My heart is still in my darkroom working in the Mordançage process\, but I use today’s technology when appropriate to explore all the creative paths. \nMy photographs are collected and published internationally and all work is for sale. Mordançage images are unique\, others are silver gelatin\, platinum\, hand painted or digitally printed in very limited editions on beautiful handmade papers.” \n– Elizabeth Opalenik \n\n \n Gary Baker\, \nSonoran Spring\, \nCarbon Pigment Double Transfer\, \n2022Honorable Mention \n Lynn Bierbaum\, \nShadows of My Past\, \nWet Plate Collodion on Blown Glass\, \n2022 \n Lynn Bierbaum\, \nLiving in the Past\, \nToned Cyanotype\, \n2021 \n Carol Byron\, \nAlstroemeria\, \nOrotone\, \n2022 \n Carol Byron\, \nTriptych\, \nOrotone\, \n2022 \n Sally Chapman\, \nArchangel St. Michael (Edition 2 of 2)\, \nCyanotype and Pastels\, \n2022 \n Sally Chapman\, \nSmell the Roses (Edition 1 of 3)\, \nCyanotype and Pastels\, \n2022 \n Sally Chapman\, \nStirrings (Edition 2 of 4)\, \nCyanotype and Pastels\, \n2022 \n Stephen E. Cohen\, \nNumber 8 Duo Tone\, \nSilver Gelatin Duo Tone Print\, \n2010 \n Dennis L. Collins\, \nWendy\,\nAurumprint\, \n2022 \n Sarah S. Curley\, \nSpring Joy\, \nCyanotype\, \n2022 \n Sarah S. Curley\, \nContemplating\, \nCyanotype\, \n2022Honorable Mention \n Susan Davens\, \nCloud Bird\, \nCyanotype\, \n2020 \n Chuck Davis\, \nDamen Washington-Cherokee Videographer\, \nTintype Diptych in Walnut\, \n2021Honorable Mention \n Chuck Davis\, \nAlicia Flores\, \nCalifornia Mission Activist\, \nTintype in Walnut\n2021Honorable Mention \n Kate Dawes\, \nFull Moon over Ha Long Bay\, \nCyanotype\, \n2022 \n Kaden Dawson\, \nUntitled\, \nCyanotype\, \n2022 \n Kaden Dawson\, \nUntitled\, \nToned Cyanotype\, \n2022 \n Janet Fine\, \nshh\, \nCyanotype and Graphite\, \n2021 \n Janet Fine\, \nFloaters\, \nToned Cyanotype\, Paint\, Graphite\, and Conte Crayon\, \n2022 \n Janet Fine\, \nFirst to a Fire\, \nCyanotype on Braille Paper\, Washing Soda\, Kozo Paper\, Found Object\, \n2022 \n William W. Fuller\, \nBlanco Diablo Big Sur\, California\, 1986\, \nGelatin Silver Print\, \n1986Third Place \n Pam Golden\, \nAngel Figueroa-Aguilera\, \nPalladium Print from Tintype\, \n2022 \n Pam Golden\,\nSiena Coronado\, \nPalladium Print from Tintype\, \n2022 \n Ana Laura Gonzalez\, \nBishop’s Cap Abstract (A/P)\, \nHand-Colored Van Dyke Print\, \n2022 \n Ana Laura Gonzalez\, \nGambler’s Quail Pair (A/P)\, \nHand-Colored Cyanotype\, \n2022 \n Ana Laura Gonzalez\, \nVerdin in Sweet Acacia Tree (A/P)\, \nHand-Colored Cyanotype\, \n2022 \n Marita Gootee\, \nMending\, \nLumen Print with Encaustic\, \n2022Second Place \n Marita Gootee\, \nLost Future\, \nLumen Print with Encaustic\, \n2022 \n Fiona Howarth\, \nGlacial Retreat\, \nPlatinum/Palladium Prints\, \n2022 \n Fiona Howarth\, \nThe Trees Returned\, \nPlatinum/Palladium Prints\, \n2022 \n Kenro Izu / Veritas Editions\, \nImpermanence (Edition 1 of 13)\, \nPlatinum/Palladium and Gum Over Platinum\, \n2020-2022Award of Excellence for Collaborative Work \n Michael C. Hughes\, \nSaguaro and Storm Clouds\, \nPlatinum/Palladium Print\, \n2022 \n Michael C. Hughes\, \nSeashore Fence\, \nPlatinum/Palladium Print\, \n2021 \n Michael C. Hughes\, \nShore Forms\, \nPlatinum/Palladium Print\, \n2022 \n Jon Jeffery\, \nEvent Horizon Warehouse\, \nCyanotype on Recycled Cardboard\, \n2022 \n Jon Jeffery\, \nBig Sur Redwoods\, \nCyanotype on Recycled Cardboard\, \n2022Honorable Mention \n Alex Krajkowski\, \nUntitled\, from Knots\, \nUnique Gelatin Silver Print\, \n2019 \n Alex Krajkowski\, \nUntitled\, from Knots\, \nUnique Gelatin Silver Print\, \n2019 \n J. Jason Lazarus\, \nVasquez Rocks\, Agua Dolce\, California\, \nMordançage\, \n2022 \n J. Jason Lazarus\, \nSaguaro National Park\, Tucson\, Arizona\, \nMordançage\, \n2022 \n Jen Leahy\, \nQueen of the Universe\, \nCyanotype and Mixed Media\, \n2021/2022 \n Annie Lopez\, \nNot a Blue Bird\, \nCyanotype on Watercolor Paper\, \n2022 \n Annie Lopez\, \nToo Much Like Me\, \nCyanotype on Tamale Paper\, Thread\, \n2022Honorable Mention \n Lloyd Matthews\, \nEmber (Edition 1 of 13)\, \nPlatinum/Palladium Print\, \n2020 \n Lloyd Matthews\, \nDesert Hum (Edition 1 of 13)\, \nPlatinum/Palladium Print\, \n2020 \n Marek Matusz\, \nMonarch and Poppies\, \nGum Bichromate\, \n2022 \n Marek Matusz\, \nMoonrise over Half Dome\, \nCyanotype and Gum Bichromate\, \n2021 \n Marek Matusz\, \nPoppies\, \nGum Bichromate\, \n2022Honorable Mention \n Marek Matusz\, \nYosemite Shadow\, \nGold Toned Albumen Print\, \n2022 \n Lou McCorkle\, \nCuriosity #1\, \nGum over Cyanotype\, \n2022First Place \n Lou McCorkle\, \nCuriosity #3\, \nGum over Cyanotype\, \n2022First Place \n Lou McCorkle\, \nCuriosity #8\, \nGum over Cyanotype\, \n2022First Place \n Lou McCorkle\, \nCuriosity #7\, \nGum over Cyanotype\, \n2022First Place \n Alyssa McKenna\, \nEgyptian Avenue\, \nChrysotype\, \n2021Honorable Mention \n Neil A. Miller\, \nCemetery — North of Dublin\, ‘95\, \nGelatin Silver Print\, \n1995 \n Neil A. Miller\, \nHanging Out — Dublin\, ‘95\, \nGelatin Silver Print\, \n1995 \n Mary A. Nation\, \nInside\, \nKallitype\, toned in Palladium\, \n2022Honorable Mention \n Mary A. Nation\, \nHello\, \nKallitype\, toned in Gold\, \n2022 \n Mary A. Nation\, \nMercedes\, \nKallitype\, toned in Gold\, \n2022 \n Elizabeth Overall\, \nHistoric Albequerque\, \nKallitype\, \n2022 \n Elizabeth Overall\, \nChicago Skyline\, \nKallitype\, \n2022 \n Elizabeth Overall\, \nLight of the World\, \nCyanotype\, \n2021 \n Christopher J. Palmer\, \nBug Wall (Edition 1 of 5)\, \nIlfochrome/Cibachrome\, \n2013 \n Cyd Peroni\, \nMom’s Signature Color\, \nCyanolumen Print\, \n2021 \n Cyd Peroni\, \nJack’s View\, \nCyanolumen Print\, \n2021Honorable Mention \n Michael Peterson\, \n Roy Pope\, \nLichen on Tree\, Yosemite National Park\, California\, \nToned Gelatin Silver Print\, \n2019 \n Roy Pope\, \nWall Shadows\, Prescott\, Arizona\, \nToned Gelatin Silver Print\, \n2020 \n Caleb Portfolio\, \nShanshan\, \nGelatin Silver Print from Subminiature Camera\, \n2016 \n Caleb Portfolio\, \nFather Daughter\, \nGelatin Silver Print\, \n2020 \n Caleb Portfolio\, \nshake\, \nGelatin Silver Photogram\, \n2019 \n Michael T. Puff\, \nThe Seamstress (Edition 4 of 10)\,\nPlatinum/Palladium Print\, Hand-Colored with Oil\,\n2020 \n Michael T. Puff\, \nDark Angel (Edition 1 of 10)\, \nPlatinum/Palladium Print\, \n2022 \n Lesha Maria Rodriguez\, \n011_FBG_2019\, \nCyanolumen Print\, \n2019 \n Lesha Maria Rodriguez\, \n038_FBG_2_2019\, \nCyanolumen Print\, \n2019 \n William Root\, \nLuc’s Woods (Edition 1 of 15)\, \nPhotogravure\, \n2022 \n William Root\, \nWinter Dusk\, Venice (Edition 6 of 15)\, \nPhotogravure\, \n2022 \n Tanya Russell\, \nRaven’s Nest (Edition 1 of 2)\, \nKallitype\, \n2022 \n Kimberly Schneider\, \nThe Wave (Wave of Mutilation)\, \nUnique Gelatin Silver Print\, \n2022 \n Kimberly Schneider\, \nMissing Lobos (The Whale)\, \nUnique Gelatin Silver Print\, \n2022 \n Phyllis Schwartz\, \nFluttering\, \nCyanotype on Watercolor Paper\, \n2022Honorable Mention \n Phyllis Schwartz\, \nOn Edge\, \nCyanotype on Procion Dye Drawing on Watercolor Paper\, \n2022 \n Phyllis Schwartz\, \nCamilia’s Dream\, \nCyanotype on Procion Dye Drawing on Watercolor Paper\, \n2022 \n Dennis Segers\, \nTide Pool Lace (Edition 2 of 10)\, \nPlatinum/Palladium Print\, \n2021 \n Dennis Segers\, \nWalmea Canyon (Edition 3 of 10)\, \nPlatinum/Palladium Print\, \n2021 \n Dennis Segers\, \nValley Mist (Edition 2 of 10)\, \nPlatinum/Palladium Print\, \n2022 \n Deborah Silvis\, \nTribute to African Royalty – ZA.\, \nSolar Etching on Watercolor Paper\, \n2014/2016 \n Gerardo Stübing\, \nBrachychiton Discolor\, \nPolaroid Emulsion Lift on Washi Paper and Indian Ink\, \n2022 \n Gerardo Stübing\, \nArboretum\, \nPolaroid Emulsion Lift on Washi Paper and Indian Ink\, \n2022 \n James Syme\, \nTurkey Creek Riddles 1\, \nPlatinum/Palladium Print\, \n2022 \n James Syme\, \nTurkey Creek Riddles 5\, \nPlatinum/Palladium Print\, \n2022 \n Randall Tosh\, \nMurex Alabaster (Edition 1 of 2)\, \nTintype\, \n2022 \n Randall Tosh\, \nTonna Olearum (Edition 1 of 2)\, \nTintype\, \n2022 \n Fred Ullrich\, \nOrgan Pipe Mile 6 (Edition 3 of 15)\, \nGelatin Silver Print\, \n2020 \n Fred Ullrich\, \nFirst Light on Saguaro at Organ Pipe\, \nGelatin Silver Print\, \n2020Honorable Mention \n Maura Brennan Valentine\, \nSunlit Stream\, Yosemite (Edition 1 of 15)\, \nGelatin Silver Print\, \n2008 \n Lucrees van Groningen\, \nFibonacci 1 (from the Fibonacci series)\, \nGum Bichromate over Palladium-Toned Kallitype\, \n2020 \n Melanie Vasa\, \nThoughtworms - Floating\, \nGelatin Silver Print with Micron Pen\, \n2020 \n John Wagner\, \nTree Swing\, Colorado (Edition 3 of 30)\, \nGelatin Silver Print\, \n2021 \n John Wagner\, \nOlivia with Young Ram (Edition 3 of 30)\, \nGelatin Silver Print\, \n2019 \n Tom Webster\, \nWeisman Art Gallery\, Minneapolis\, Minnesota\, \nPlatinum/Palladium Print\, \n2022 \n Tom Webster\, \nPeruvianus\, \nPlatinum/Palladium Print\, \n2022 \n Angela Franks Wells\, \nWithering II\, \nChromoskedasic Sabattier\, \n2020Honorable Mention \n Angela Franks Wells\, \nIn Search of I\, \nChromoskedasic Sabattier\, \n2020 \n Jeanne Wells\, \nWinter’s Light II (Edition 3 of 3)\, \nPhotogravure\, \n2021 \n Jeanne Wells\, \nListen I (Edition 1 of 3)\, \nPhotogravure\, \n2021 \n Jeanne Wells\, \nListen II (Edition 2 of 3)\, \nPhotogravure\, \n2021 \n Yelena Zhavoronkova\, \nGrana_5481_5486_5504\, \nPlatinum/Palladium Print\, \n2018 \n Yelena Zhavoronkova\, \nGrana_8478\, \nPlatinum/Palladium Print\, \n2015 \n Klavdija Zitnik\, \nThe Heart of Gold\, \nCarbon Print Made from Wet Collodion Negative on Glass\, Backed with Imitation of Gold\, \n2021 \n Ryan Zoghlin\, \nLacus Plasticus #27\, \nCyanotype on Watercolor Paper\, \n2019 \n Ryan Zoghlin\, \nLacus Plasticus #15\, \nCyanotype on Watercolor Paper\, \n1999Honorable Mention URL:https://artintersection.com/event/light-sensitive-2022/ LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States CATEGORIES:Exhibitions,Hide from Upcoming,Featured ATTACH;FMTTYPE=image/jpeg:https://artintersection.com/wp-content/uploads/2022/06/Light-Sensitive-Banner-Small-copy-220h.jpg GEO:33.3537421;-111.7894299 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Intersection 207 N Gilbert Rd # 210 Gilbert AZ 85234 United States;X-APPLE-RADIUS=500;X-TITLE=207 N Gilbert Rd # 210:geo:-111.7894299,33.3537421 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20220716T100000 DTEND;TZID=America/Denver:20220827T180000 DTSTAMP:20260408T044731 CREATED:20220620T175959Z LAST-MODIFIED:20220720T183334Z UID:10008956-1657965600-1661623200@artintersection.com SUMMARY:Elizabeth Opalenik - Considering Possibilities DESCRIPTION:Exhibition\nConsidering Possibilities moves the viewer through the intentional mystical imagery of Elizabeth’s photography that breaks the realism of photography to the moods only available through the magic of experimental and alternative photographic processes. \nRyan Gallery presents a collection of prints by Elizabeth Opalenik with Mordançage work also found in her book Poetic Grace\, the never exhibited platinum print series from her personal experiences A Journey Home\, and a collection carbon prints created using the same negatives from her Mordançage prints. \nElizabeth will join us for the opening reception on July 16 from 5pm to 8pm\, and on Friday July 15 at 7pm she will give a talk about her art and experiences as a photographer.  \n \nAbout Elizabeth\nElizabeth spun a map on a lazy-susan in 1968 and left home to the sound of peace marches and her mother saying\, “I knew you were different from the time you were two.” She discovered photography as a metaphor for life in 1979 at the Maine Photographic Workshops and discovered passion and possibilities in Provence in 1983 where she later began her evolution as a Mordançeuse. Traveling through six continents\, camera in hand\, she connects life’s possibilities through teaching workshops\, humanitarian projects and making art. \n“I am a photographic artist\, educator and freelance photographer traveling the world with my camera and I love it. Philanthropic projects keep me grounded and connected universally. \nI believe that all good photographs are self portraits and know that my many former lives manifest themselves in my images. My heart is still in my darkroom working in the Mordançage process\, but I use today’s technology when appropriate to explore all the creative paths. \nMy photographs are collected and published internationally and all work is for sale. Mordançage images are unique\, others are silver gelatin\, platinum\, hand painted or digitally printed in very limited editions on beautiful handmade papers.” \n– Elizabeth Opalenik URL:https://artintersection.com/event/elizabeth-opalenik-considering-possibilities/ LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States CATEGORIES:Exhibitions,Hide from Upcoming,Featured ATTACH;FMTTYPE=image/jpeg:https://artintersection.com/wp-content/uploads/2022/06/©opalenik_Kaitlyn-variables-copy-2-small.jpg GEO:33.3537421;-111.7894299 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Intersection 207 N Gilbert Rd # 210 Gilbert AZ 85234 United States;X-APPLE-RADIUS=500;X-TITLE=207 N Gilbert Rd # 210:geo:-111.7894299,33.3537421 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20220719T130000 DTEND;TZID=America/Denver:20220722T170000 DTSTAMP:20260408T044731 CREATED:20220408T214230Z LAST-MODIFIED:20220420T215723Z UID:10008672-1658235600-1658509200@artintersection.com SUMMARY:Exploring Photography for Teens - July Session DESCRIPTION:It’s great to have a “Teen Photo Camp” after a two year break due to cautions taken during the pandemic.   \nIn this workshop teen students explore the fundamentals and foundations of photography with fun photo projects every day! \nStudents will gain an overview of photographic techniques from digital capture and printing to using black and white film in the darkroom and historical processes.  \nUsing both digital and film cameras\, students will print in the digital lab and in the darkroom\, and experiment with hand-coated alternative photographic methods. They will use the lighting studio to experiment with strobes and continuous lighting. \nEach student will leave with a collection of their artwork made during camp and be featured in an online exhibition at artintersection.com. \nStudents are welcome to bring their own cell phone/digital camera and film cameras OR use cameras provided by Art Intersection. \n\n \n \n\n \n \n Teen Photography\n Enroll in the Art Intersection Teen Photography Workshop \n "*" indicates required fields \n \n Parent or Guardian? * Required\n \n \n Yes\n \n \n \n No\n Are you the Parent or Guardian for the enrolling student?Name of Parent or Guardian * Required\n \n \n \n First\n \n \n \n \n Last\n \n \n Student's Name * Required\n \n \n \n First\n \n \n \n \n Last\n \n \n Student's Birthdate * Required\n \n Month\n \n \n Day\n \n \n Year\n \n Student must be at least 13Address * Required \n \n \n \n Street Address\n \n \n Address Line 2\n \n \n City\n \n AlabamaAlaskaAmerican SamoaArizonaArkansasCaliforniaColoradoConnecticutDelawareDistrict of ColumbiaFloridaGeorgiaGuamHawaiiIdahoIllinoisIndianaIowaKansasKentuckyLouisianaMaineMarylandMassachusettsMichiganMinnesotaMississippiMissouriMontanaNebraskaNevadaNew HampshireNew JerseyNew MexicoNew YorkNorth CarolinaNorth DakotaNorthern Mariana IslandsOhioOklahomaOregonPennsylvaniaPuerto RicoRhode IslandSouth CarolinaSouth DakotaTennesseeTexasUtahU.S. Virgin IslandsVermontVirginiaWashingtonWest VirginiaWisconsinWyomingArmed Forces AmericasArmed Forces EuropeArmed Forces Pacific\n State\n \n \n ZIP Code\n \n \n Email * Required\n \n \n Enter Email\n \n \n \n Confirm Email\n \n \n Parent or Guardian contact emailPhone * RequiredParent or Guardian contact phoneCommentPlease add any information that will help us to make this a positive experience for your student in our Teen Photography program.How did you hear about Art Intersection? Would you like to be added to our email list?\n \n \n Yes\n \n \n \n No\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \nRefund Policy URL:https://artintersection.com/event/exploring-photography-for-teens-july-2022-session/ LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States CATEGORIES:Darkroom,Digital,Youth,Get Involved ATTACH;FMTTYPE=image/jpeg:https://artintersection.com/wp-content/uploads/2017/01/DSC01250_1300_header.jpg GEO:33.3537421;-111.7894299 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Intersection 207 N Gilbert Rd # 210 Gilbert AZ 85234 United States;X-APPLE-RADIUS=500;X-TITLE=207 N Gilbert Rd # 210:geo:-111.7894299,33.3537421 END:VEVENT END:VCALENDAR