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SUMMARY:No Strangers Members Exhibition
DESCRIPTION:This year’s No Strangers exhibition presents a diverse range of artwork created by Art Intersection members. This annual exhibition showcases the creative energy from the vision and talent of our members. \nMemberships support Art Intersection\, and through our membership program we strive to create an engaging atmosphere for creativity\, networking\, sharing work\, and learning from each other. From a range of membership levels including Student\, Friend\, Sponsor\, Patron and Collector\, you can find the membership that works best for you! \nBanner images by James Syme\, Charlene Engel\, Jason Salecki
URL:https://artintersection.com/event/no-strangers-2022/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Hide from Upcoming,Exhibitions,Featured
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SUMMARY:Call for Work - Light Sensitive
DESCRIPTION:Submission Deadline Extended\nNow Due Thursday\, June 2\nArt Intersection presents Light Sensitive\, our twelfth\, international juried exhibition of images created using traditional darkroom\, historical\, and alternative photographic processes and methods. This year we are honored to have photographer and alternative photography process artisan Elizabeth Opalenik jury the submitted work. \nAs we have seen technology trends continue to drive digital photography and presentation\, Light Sensitive highlights art from artists working in traditional and historical printing processes. \nLight Sensitive seeks to celebrate\, promote\, and reaffirm the art of handcrafted prints that uniquely belong to the tradition of light sensitive creative processes. Each year we are in search for work that represents creativity\, passion\, and displays the beauty of these light sensitive processes. \n\nAbout the Juror\n\nElizabeth spun a map on a lazy-susan in 1968 and left home to the sound of peace marches and her mother saying\, “I knew you were different from the time you were two.” She discovered photography as a metaphor for life in 1979 at the Maine Photographic Workshops and discovered passion and possibilities in Provence in 1983 where she later began her evolution as a Mordançeuse. Traveling through six continents\, camera in hand\, she connects life’s possibilities through teaching workshops\, humanitarian projects and making art.  \n“I am a photographic artist\, educator and freelance photographer traveling the world with my camera and I love it. Philanthropic projects keep me grounded and connected universally. \nI believe that all good photographs are self portraits and know that my many former lives manifest themselves in my images. My heart is still in my darkroom working in the Mordançage process\, but I use today’s technology when appropriate to explore all the creative paths. \nMy photographs are collected and published internationally and all work is for sale. Mordançage images are unique\, others are silver gelatin\, platinum\, hand painted or digitally printed in very limited editions on beautiful handmade papers.” \n– Elizabeth Opalenik \n\nAcceptable Processes\n\nProcesses include\, and are not limited to\, the following: silver gelatin prints\, albumen\, anthotype\, argyrotype\, athenatype\, Bayard direct positive\, calotype\, carbon\, casein\, chrysotype\, cyanotype\, dusting-on process\, gum bichromate\, gumoil\, Herschel’s breath printing\, photopolymer gravure\, Ivorytype\, kallitype\, mordançage\, platinum/palladium\, printing-out-paper\, solarplate intaglio\, van dyke brown\, wet plate collodion\, whey process\, Ziatype\, combinations of any of these processes\, and all photographically based image-making techniques that incorporate traditional studio-based mediums such as printmaking\, ceramics\, or painting.  \nBoth 2-dimensional and 3-dimensional work may be submitted. Conventional\, unmodified digital inkjet prints are not acceptable for entry; however\, the use of digital negatives\, created for printing any of the above processes is acceptable. \n\nAwards for Light Sensitive\nFirst place $350\nSecond place $250\nThird place $150\nHonorable mentions \nImportant 2022 Dates\nJune 2 – Submissions close at midnight Arizona\, MST (UTC – 7)\nJune 7 – Email notification of work selected for exhibition\nJuly 2 – Selected work due at Art Intersection ready to hang/install\nJuly 16 – Exhibition open\nJuly 16 – Artist Reception\, 5 – 8pm\nSeptember 1 – Pick up work\nSeptember 8 – Work begins shipping back using prepaid shipping labels \n\nStep One: Submission Guidelines\n  \nStep Two: Exhibition Terms and Conditions\n  \nStep Three: Submission Form\n  \nStep Four: Pay in the Blue Box Above\n\nYou can view images from last year’s Light Sensitive by clicking here.
URL:https://artintersection.com/event/call-for-work-light-sensitive-2022/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Call for Work,Hide from Upcoming,Featured
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DTSTART;TZID=America/Denver:20220408T080000
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SUMMARY:Call for Work - Picturing Resistance
DESCRIPTION:Submission Deadline Extended To\nThursday\, August 4\nSubmit your images taken from marches\, protests\, rallies\, and demonstrations\, whether you are in solidarity with the marchers or documenting their voices. Your images should show people\, in the public view\, voicing their passion for change. This Picturing Resistance exhibition at Art Intersection gives your photographs visibility and exposes the energy you captured. \nThere are no timeframe restrictions for photographs\, only that you are the photographer or you own the copyright to an historical image from your collection. We wish to present the landscape of people engaged in the act of creating change by exercising their right to be noisy. \nIf you use a phone camera to photograph protests and marches\, let us know if you need help printing images from your phone for this exhibition. \nOur juror\, Ken Light\, photographer\, author\, and a Reva and David Logan Professor of Photojournalism at the University of California\, Berkeley\, will select from submitted images. \nMelanie Light and Ken Light’s book\, Picturing Resistance\, serves as the inspiration for this juried exhibition\, and a must own book for anyone interested in social justice movements in the past seven decades.  \nIn Ryan gallery Ken Light’s images from his book Midnight La Frontera will be shown during the Picturing Resistance exhibition.  \nAbout the Juror\nKen Light\, a freelance documentary photographer for over fifty years\, focuses on social issues facing America. A recipient of a Guggenheim Fellowship\, his work has been published in twelve books\, in magazines\, exhibitions and numerous anthologies\, exhibition catalogues and a variety of media\, digital and motion picture. \nHis most recent book Course of the Empire\, published by Steidl\, portrays a decade of mounting tension in a polarized America\, from Wall Street to the rural heartland and is a portrait of the American social landscape and is a riveting historical and visual record of a complicated country in a complicated time. \nMidnight La Frontera (TBW Books) illustrates\, in piercing words and in strobe lit images caught against the dark of night\, the struggle and defiance of those who make the perilous hike for days and weeks in search of the American Dream. \nImportant Picturing Resistance Exhibition Dates \n\nAugust 4: Online submissions due by midnight Arizona time\nAugust 9: Email notification of artists selected for exhibition\nAugust 27: Deliver selected work ready to install\nSeptember 10: Opening reception 5pm to 8pm\nSeptember 10 through October 22: Exhibition dates\nOctober 27: Work available for pickup \nNovember 3: Work shipping begins \n\nBanner image by Ken Light
URL:https://artintersection.com/event/call-for-work-picturing-resistance/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Call for Work
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