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DTSTART;TZID=America/Denver:20161202T080000
DTEND;TZID=America/Denver:20170409T170000
DTSTAMP:20260427T014632
CREATED:20170124T225312Z
LAST-MODIFIED:20170209T181510Z
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SUMMARY:INFOCUS Juried Exhibition of Self-Published Photobooks
DESCRIPTION:From the earliest years of the medium’s history\, photographers have embraced the book form as a way to present\, organize and disseminate their work. The purpose of this second triennial Photobooks exhibition is to explore the range of ways that artists are using newly available commercial technologies in order to express themselves today. The exhibition represents the books chosen by judges Rebecca Senf\, Mary Virginia Swanson\, Darius Himes\, Larissa Leclair\, Christian Waguespack and Philip Zimmermann. \nThese books hail from all over the United States (including four local examples from Arizona)\, and 12 countries on five continents\, including Australia\, Russia\, Chile\, Norway\, The Netherlands\, England\, Germany\, France\, Canada\, New Zealand\, Japan\, and Italy. \nSelected books showcase a wide range of printing technologies\, including offset lithography\, digital inkjet printing\, letterpress\, laser printing\, and photocopying.
URL:https://artintersection.com/event/self-published-photobooks-exhibition/
LOCATION:Phoenix Art Museum\, 1625 N. Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:INFOCUS,Hide from Upcoming,Community
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DTSTART;TZID=America/Denver:20170120T190000
DTEND;TZID=America/Denver:20170311T210000
DTSTAMP:20260427T014632
CREATED:20161223T212706Z
LAST-MODIFIED:20161223T212706Z
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SUMMARY:Opus 99: The Photography of Robert Rice
DESCRIPTION:An Arizona resident since 1974\, Robert Rice has photographed for over 40 years. Largely focusing on flowers\, nature and landscapes. Robert’s work has often concentrated on the borderline between abstract and reality. Robert has studied with Ansel Adams\, James Hajicek\, and Carol Panaro-Smith. Robert has worked in a variety of formats from traditional camera to digital. He has created a wide range of work including still life\, architecture\, and landscape. The work presented represents 44 years of his work in photography. \nRobert’s work has been shown at Art Intersection in Gilbert\, Arizona\, the Vision Gallery in Chandler\, Arizona\, the Boyce Thompson Arboretum\, the Chandler Public Library and the Chandler Unified School District. In 2001 Mr. Rice won the “Photograph of the Year” Award from the AFECA Tour Consultants. \nWaterfall\, Platinum Print\, 2005 \nHead\, Pigment Print\, 2004 \nHayfield\, Pigment Print\, 2004
URL:https://artintersection.com/event/opus-99-the-photography-of-robert-rice/
LOCATION:Vision Gallery\, 10 East Chicago Street\, Chandler\, AZ\, 85225\, United States
CATEGORIES:Hide from Upcoming,Vision Gallery Chandler,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170210T100000
DTEND;TZID=America/Denver:20170322T000500
DTSTAMP:20260427T014632
CREATED:20170214T222913Z
LAST-MODIFIED:20170614T194036Z
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SUMMARY:Call for Work - Emerge 2017\, Student Photography Exhibition
DESCRIPTION:This Call for Work is now closed. \nArt Intersection invites photographers enrolled in an Arizona high school (including home school students)\, community college\, art school\, or university to submit work for consideration in Emerge\, an Arizona student photography juried exhibition.  This year’s submissions to Emerge will be juried by Clare Benson. \nAs part of our mission to support emerging artists\, we offer student artists an opportunity to show their work in the North and South Galleries at Art Intersection. Art Intersection staff will also select recipients for Best of High School\, Best of Post-High School\, and Best of Show. \nAbout the Juror\nClare Benson is a photographer and interdisciplinary artist from the United States. Her work has been exhibited and screened throughout the US and internationally. In 2014/2015\, she received a Fulbright Fellowship to conduct research in northern Sweden at the Swedish Institute of Space Physics. Other recent awards include the Magenta Foundation Flash Forward\, PDN Emerging Photographer\, and the Joyce Elaine Grant Solo Show Award. \nBenson earned her MFA at University of Arizona in Tucson\, and her BFA at Central Michigan University. \nSponsors\nBest of Show – To be announced\nBest of Post High School – $100 Gift Card from Tempe Camera \n \nBest of High School – $100 donated by Kelly and Dennis Collins \nImportant 2017 Dates\nMarch 21 – DEADLINE EXTENDED; Submissions Due at midnight\n March 24 – Email notification of photographers selected for exhibition\n April 15 – Selected work due at Art Intersection ready to hang/install\n April 25 – May 20 – Exhibition\n April 29 – 5- 8pm Opening Reception\nMay 25 – 27 – Pick up work\n June 1 – Work begins shipping back using prepaid shipping labels \nEmerge 2017 Submission Instructions PDF \nPlease Note: Submission entries with incorrect or incomplete information will not be accepted. Be sure to read the Submission Instructions carefully and provide accurate\, complete information. \n 
URL:https://artintersection.com/event/call-for-work-emerge-2017-student-photography-exhibition/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Hide from Upcoming,Call for Work,Featured
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DTSTART;TZID=America/Denver:20170304T180000
DTEND;TZID=America/Denver:20170415T180000
DTSTAMP:20260427T014632
CREATED:20170204T215750Z
LAST-MODIFIED:20190628T012020Z
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SUMMARY:Light Sensitive 2017 - Celebrating Images from the Darkroom
DESCRIPTION:A Juried Exhibition Celebrating Images from the Darkroom\nArt Intersection presents our sixth annual Light Sensitive exhibition in the North and South Galleries. We are pleased to announce curator\, teacher\, photographer and Director of Rayko Photo Center\, Ann M. Jastrab\, as this year’s juror.  \nLight Sensitive\, an exhibition dedicated to presenting art created using traditional darkroom and alternative photographic processes\, has grown to become an internationally acknowledged signature exhibition for this art genre. In the current trend of imagery presented on computer screens and the overwhelming volume of digitally printed pictures\, Light Sensitive reaffirms and\npromotes the art of handcrafted prints that uniquely belong to the tradition of light sensitive creative processes. \nWork this year comes from national and international artists and includes processes like cyanotype\, gelatin silver\, gum bichromate\, wet plate collodion tintype\, carbon printing\, and more.  \nThe Art Intersection curatorial staff will select three artists from Light Sensitive to show additional work in the forthcoming exhibition\, (re)View. \nJuror’s Statement\nIn graduate school in 1993\, I took my first and subsequently last Photoshop class. I realized the technology was going to change rapidly and dramatically and constantly and…need I mention the frustrations of Photoshop before layers? (I imagine more than one of you is heading to the kitchen to pour a drink right now just remembering those early days). Anyway\, thanks to this experience\, my concentration in graduate school quickly became historical processes. I put away my 35mm camera and picked up a wooden view camera and started making my own emulsions and studying all those beautiful techniques from the 1850s onward. I eventually settled on platinum/palladium printing as my medium. \nNeedless to say\, I was thrilled when Alan Fitzgerald from the Art Intersection asked me to jury the 2017 Light Sensitive exhibition. Having a chance to revisit the traditional photographic processes that are near and dear to my heart has been so rewarding. And inspiring. I’m fairly certain that if I go to hell\, I’ll be making 4 color gum bichromate prints for eternity and that every time I submerge the paper with the fourth layer perfectly registered\, all the layers will float off and I’ll have to start over. And yet\, in this coming exhibition\, many artists proved that they were not just up for the task of making gum prints\, but they made exquisite ones. I take my hat off to Diana Bloomfield\, Michael Puff\, Megan Smith\, Jane Wiley\, and the rest who not only had all their layers adhere to the paper\, but created superb images. \nAnd then there are the collodion artists….painstakingly poured plates\, the pressure of time\, of drying emulsion\, of moving subjects\, of so many variables that can either destroy the image or elevate it to an otherworldly plane where I marvel at how the imperfections make it all the more strange and wondrous. I’ve watched Jenny Sampson’s skateboarder series for years and was excited to put her work in this show along with Tabitha Soren’s baseball tintypes from her long-term project\, “Fantasy Life.” And then there were wet plate artists I didn’t know or whose work I didn’t recognize\, and the thrill of discovery was upon me\, along with the tough decision about which plates to select from Katy Tuttle\, Shari Trennert\, Rebecca Ross\, Kaden Kratzer and Nadezda Nikolova-Kratzer. \nThe sublime blues of the cyanotypes and the dynamic tonal range of all those platinum/palladium prints and the photogravures and what must be an orotype\, the lumen prints\, the chromogenic prints\, and to see Mordançage prints again (another old nemesis from graduate school – we experimented with this in advance B&W craft\, respirators strapped on\, gloves snapped on\, ventilation systems on high\, and stood back and watched as the emulsion lifted off of our gelatin silver prints and\, with varying degrees of success\, were either transformed into shimmering veils of shadows and light\, or more frequently\, we witnessed the emulsion wash right off the print and flow into the sink and swirl down the drain. The reaction was usually tears\, but sometimes laughter. Another reason I decided to become a platinum printer. There are masochists and there are artists that enjoy making prints… the Mordançage process separated us swiftly. Alex Krajkowski and Judyta Grudzien\, you know who you are). And of course\, all the gorgeous silver gelatin prints…the birth of my love of photography happened in my high school darkroom thousands of miles from here and decades ago. \nThe power of this year’s Light Sensitive exhibition lies not just in the fact that these artists are keeping traditional photography and historic techniques alive\, but that they’ve also created images that speak to the processes and also speak to us\, the viewers. Bravo! \nAnn Jastrab\, February 2017 \n\nAbout the Juror\n\nAnn M. Jastrab is currently the gallery director at RayKo Photo Center located in the SOMA arts district in San Francisco. RayKo is a comprehensive photographic facility with rental darkrooms\, digital labs\, studio and galleries creating opportunities for regional\, national and international artists to create and present their work\, in addition to providing a thriving artist-in-residence program. Ann\, MFA\, is a fine art photographer\, master printer\, and teacher as well\, and she has curated many exhibitions for RayKo as well as juried exhibitions for the San Francisco Arts Commission\, the Academy of Art in San Francisco\, Artspan\, SFAI\, the Center for Fine Art Photography\, and other national and international venues outside of San Francisco. \n\nImages in Light Sensitive 2017\n																																																																																																																																																																																																																																																																																																																																																																																																				\n\nFeatured Artists\nAngela Adams\, Jan Aldelhof\, Jason Andrescavage\, Syl Arena\, Gwen Arkin\, Charles Berger\, Brad Biedenbender\, Diana Bloomfield\, Ginette Clément\, Dennis L. Collins\, Douglas Collins\, Wendy Constantine\, Matthew Covarrubias\, shesaidred\, Chuck Davis\, An Debie\, Margo Duvall\, Anne Eder\, Barbara Elliott\, Joanna Epstein\, Ernesto Esquer\, Angela Franks Wells\, Bill Franson\, Georgina Marie\, Fuentes\, Michael Anthony Gonzales\, Judyta Grudzien\, Michael C. Hughes\, Jeannie Hutchins\, Karen Hymer\, Diana Nicholette Jeon\, Emily Johnston\, Alex Krajkowski\, Jane B. Lindsay\, Conni Lowell\, Chris Maliga\, Erin Malone\, Lloyd Matthews\, Marek Matusz\, Vera Miljkovic\, Neil A. Miller\, Nadezda Nikolova-Kratzer & Kaden Kratzer\, George Omorean\, Cyd Peroni\, Elizabeth Z. Pineda\, Roy Pope\, Morgan Post\, Michael Puff\, Paula Riff\, Denise Ross\, Rebecca Ross\, Jenny Sampson\, Kimberly Schneider\, Lynne Senzek\, Rebecca Sexton Larson\, Sara Silks\, Deborah Silvis\, Megan Smith\, Tabitha Soren\, Eugene Starobinskiy\, Patricia Swanson\, J. E. Syme\, Brianna Tadeo\, Shari Trennert\, Katy Tuttle\, Fred Ullrich\, Karel Van Gerven\, Phoebe VanGelder\, Jane A.Wiley\, Ryan Zoghlin \nHeader image credit\, left to right: Vera Miljkovic\, Eugene Starobinskiy\, and Bill Franson \n 
URL:https://artintersection.com/event/light-sensitive-2017-celebrating-images-from-the-darkroom/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Hide from Upcoming,Featured
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170307T080000
DTEND;TZID=America/Denver:20170420T000000
DTSTAMP:20260427T014632
CREATED:20170308T195302Z
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SUMMARY:Call for Work - All Art Arizona 2017
DESCRIPTION:This Call for Work is closed. \nArt Intersection celebrates Arizona art with this juried exhibition of work from Arizona artists. This highly acclaimed 7-week exhibition\, All Art Arizona\, offers the opportunity for visual artists of all experience levels to bring their work before a public audience. \nThe range of work acceptable for submission includes sculpture\, glass\, photography\, painting\, ceramics\, wood\, printmaking\, mixed media\, artist books\, and more. Selected works will be shown in the Art Intersection North and South Galleries from May 30 to July 15\, 2017. \nAbout the Jurors\nThe Art Intersection curatorial staff will jury the submissions for All Art Arizona. \nImportant All Art Arizona 2017 Dates \n\nApril 17: Submissions due online\nApril 20: Email notification of artists selected for exhibition\nMay 20: Deliver selected work ready to install\nJune 3: Opening reception\nMay 30 – July 15: Exhibition dates\nJuly 20 – 22: Work ready for pickup\n\nPlease carefully read the instructions and information below. The link to the submission form is at the end of this page.  \nSubmission Requirements \n\nThe fee for submission is $40 for up to four (4) works\, and must be paid before submissions are accepted\nArtists must be at least 18 years old and a resident of Arizona for a minimum of four months per year\nWork accepted for review can be any media\, 2 or 3-dimensional\nTwo-dimensional work must be ready to hang\nThree-dimensional work must be free standing or include an appropriate stand/pedestal for display\nThe works submitted must be the sole and original creation of the exhibiting artist(s)\n\nSubmission of collaborative work is encouraged\n\n\nThe online Submission Form requires:\n\nBio / Artist Statement\nBrief process description\nJPEG images sized on the short side to 5-inches at 300dpi and less than 2 Mbytes\nJPEG file titles must be saved in the format “Last name_First name_Submission #.jpg” For example\, Smith_Jane_1.jpg.\nArtwork Title\, Date Created\, Media\, Sales Price\, Dimensions\n\n\n\nInstructions and Terms for Submission\n\nDelivery of Work – If selected for the exhibition you must be able to deliver work in person\, or ship the work to arrive in a reusable container by the due date. Work that does not arrive by the deadline will not be included in the show. All shipping\, handling\, and packaging expenses are your responsibility.\nReturn of Work – You or a representative may pick up work that is not sold\, or Art Intersection will ship the work back at your expense. Art Intersection is not responsible for packaging\, handling\, or shipping expenses. Work unclaimed at Art Intersection for more than 14 days after the pick up date will be disposed of at our discretion.\nPresentation – You are responsible for professional presentation and all work must be ready to install upon delivery. Any work not ready for installation may not be included in the exhibition. No digital signatures of any kind on artwork will be accepted.\nSale of Work – We encourage your work to be for sale; however\, we accept work that is not for sale (NFS). The split of the artwork sale price is 60% to the Artist and 40% to Art Intersection. You agree to discounts up to 10% which may be offered to buyers at the discretion of Art Intersection. You must provide a tax ID/SSN or W9 if sales commission equals $600 or more.\nLabeling – All work must be labeled with artist name\, title\, year the work was created\, media\, and the price or “Not For Sale” NFS. Improper labeling may prevent acceptance of the work.\nEligibility – As the Artist\, you must be an Arizona resident for four months a year and 18 years of age or older. Works that have been exhibited at the Art Intersection Galleries previously are not eligible for submission.\nLiability – Art Intersection is not responsible for the loss or damage of works while in transit.\nUse of Work – Art Intersection reserves the right to use images of submitted works in social media marketing\, on our website\, in our printed marketing materials\, and other materials used to promote the exhibition.\nCopyright – The Artist retains ownership and copyright of all submitted work. Upon sale of work the ownership of the work transfers to the buyer.\nInsurance – All work will be insured by Art Intersection for the duration of the exhibit.\nAcceptance – Submission of your Application indicates acceptance of all terms and conditions of the All Art Arizona exhibition.
URL:https://artintersection.com/event/call-for-work-all-art-arizona-2017/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Hide from Upcoming,Call for Work
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DTSTART;TZID=America/Denver:20170310T193000
DTEND;TZID=America/Denver:20170310T210000
DTSTAMP:20260427T014632
CREATED:20170131T184721Z
LAST-MODIFIED:20170214T165047Z
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SUMMARY:From Russia With Love
DESCRIPTION:Travel East and explore the music of two Russian masters. Tetra will perform works by Arensky and Shostakovich\, as well as a medley from Fiddler on the Roof! Tickets can be purchased here.  \nTetra is excited to announce our new concert series in Downtown Gilbert! During our 2016-2017 season\, we will present four concerts at the community art space\, Art Intersection. Join us on these Friday evenings to enjoy live chamber music\, visual art and sample all that Downtown Gilbert has to offer. \nWe will perform in the South Gallery of Art Intersection\, located on the second floor of the Heritage Court Building.
URL:https://artintersection.com/event/from-russia-with-love/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Hide from Upcoming,Tetra String Quartet,Community
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