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DTSTART;TZID=America/Denver:20160906T080000
DTEND;TZID=America/Denver:20161112T170000
DTSTAMP:20260405T080529
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SUMMARY:ShadowLands
DESCRIPTION:Etherton Gallery is pleased to present ShadowLands: Photographs by Joel-Peter Witkin and Roger Ballen\, Prints and Mixed Media by Alice Leora Briggs. An artist reception and book signing will be held from 7 – 10pm on Saturday\, September 10\, 2016. Briggs and Witkin will attend. \nGallery Address: 135 S. 6th Ave\, in Downtown Tucson\, 85701. \nRegular Gallery hours are: 11am – 5pm\, Tuesday – Saturday. \nJoel-Peter Witkin will give a lecture the day before on Friday\, September 9\, 2016 at 5:30 at the Center for Creative Photography at the University of Arizona. \nCCP Address: 1030 N Olive Rd\, Tucson\, AZ 85721. \nFor more information\, contact Etherton Gallery at (520) 624-7370 or info@ethertongallery.com. \nImperfect Thirst (2016) toned gelatin silver print\, ©Joel-Peter Witkin\, courtesy Etherton Gallery \nOffering\, from Shadow Chamber (2009) archival pigment inkjet print ©Roger Ballen\, courtesy Etherton Gallery \nTheir Shadows the Spilled Milk the World Cries Over from The Room (2015) chine collé woodcut ©Alice Leora Briggs\, courtesy Etherton Gallery
URL:https://artintersection.com/event/shadowlands/
LOCATION:Etherton Gallery\, Downtown\, 135 South 6th Avenue\, Tucson\, AZ\, 85701\, United States
CATEGORIES:Hide from Upcoming,Etherton Gallery,Community
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DTSTART;TZID=America/Denver:20160929T080000
DTEND;TZID=America/Denver:20161111T170000
DTSTAMP:20260405T080529
CREATED:20160929T023911Z
LAST-MODIFIED:20160929T023911Z
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SUMMARY:Call for Work - Photography Re-Imagined VI: Visual Storytelling
DESCRIPTION:Tilt Gallery is seeking works to present in Photography Re-Imagined VI: Visual Storytelling\, an international juried show exploring Personal Narrative and the Photographic Image. \nAbout the Juror\nCig’s photographs and artist’s books have been exhibited widely and are in the permanent collections of major museums and collections\, including the Museum of Fine Arts\, Houston\, The Farnsworth Museum\, Rockland\, and the International Museum of Photography\, George Eastman House\, Rochester. She was nominated for the 2013 John Gutmann Award and was a finalist at Prix Virginia\, an international photography prize for women. \nCig had her first solo museum show at The Stenersen Museum\, Oslo\, Norway\, in the spring of 2012 in conjunction with the release of her  first monograph You Look At Me Like An Emergency\, Schilt Publishing\, 2012. Her second monograph\, Gardening At Night (Schilt Publishing\, 2015\,)\, was released in the spring 2015 in conjunction with solo shows at Robert Mann Gallery\, New York\, Robert Klein Gallery\, Boston and Paul Kopeikin Gallery\, Los Angeles. The book received critical acclaim with features and reviews in Vogue\, The Telegraph\, the International Wall Street Journal\, The International New York Times\, and Aesthetica among others. The International Wall Street Journal said of the series\, “Though the subjects and setting are familiar to us\, we cannot help but feel that Cig Harvey has led us through the looking glass to a world of wonder. In the way that twilight is not quite day and not quite night\, the photographs of Gardening at Night are stories not yet fully developed\, while still capturing the unexpected yet oddly harmonious moments that surround us daily.” \nCig’s devotion to visual storytelling has lead to innovative international campaigns and features with\, New York Magazine\, Harpers Bazaar\, Kate Spade\, and Bloomingdales. Cig teaches workshops and regularly speaks on her work and process at institutions around the world. \nSadie & the Birdcage\, Cig Harvey \nEligibility: We are looking for the singular image that evokes story and narrative\, often times through metaphor and symbolism. Images can be found or constructed\, in landscape\, street life and the everyday. The photographs can be from any source\, film\, digital\, or scanned. They can be produced by hand\, with historic processes or archival digital prints. The exhibition is open to all forms of visual storytelling and subject matter. This includes personal stories\, documentary\, fictional narratives\, photojournalism\, and any other photography that tells a story. For further questions regarding eligible images\, email info@tiltgallery.com. Work should have been completed in the last three years. \nAward: First and second place awards & honorable mentions will be granted. First place & Second place selected Winners will be included in a our Tilt Gallery annual signature exhibition\, Who’s in the House. \nTimeline:\nDeadline for entries: November 11\, 2016\nNotification of accepted work: November 30\, 2016\nAccepted work due: December 29\, 2016\nExhibition dates: January 5 – January 28\, 2017 \nClick here to find out more and to submit your artwork.
URL:https://artintersection.com/event/call-for-work-photography-re-imagined-vi-visual-storytelling/
LOCATION:Tilt Gallery\, 7077 East Main Street\, #14\, Scottsdale\, AZ\, 85251\, United States
CATEGORIES:Tilt Gallery,Hide from Upcoming,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161021T060000
DTEND;TZID=America/Denver:20161104T210000
DTSTAMP:20260405T080529
CREATED:20161018T194856Z
LAST-MODIFIED:20161018T194856Z
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SUMMARY:Respite. - A Group Exhibition
DESCRIPTION:Modified Arts presents the work of five diverse artists\, working in a variety of media to bridge the gap between order and chaos in their lives and creative processes. \nFollowing his 2014 graduation with a dual fine-arts degree in photography and printmaking\, Daniel Mariotti sought the means and motivation to continue his art practice\, and that of his peers\, rather than allow their skills to flounder. With this exhibition\, Mariotti gathers peers Christopher Colville and Zach Baltzly\, and fellow ASU graduates Kenosha Drucker and Nicholas Gutierrez for a mix of media\, style and subject matter\, while still creating a cohesive direction for their work. \nChristopher Colville melds traditional photographic processes and experimental surfaces for haunting\, yet contemporary\, images. Kenosha Drucker utilizes charcoal\, paint\, pencil\, fabric-and-wire sculpture\, and drywall for dark\, striking pieces eager to draw attention and viewer speculation. Nicholas Gutierrez similarly works in dark charcoals\, but instead crafts a narrative in assembled works. Zach Baltzly paints over chaotic\, multicolored scenes for a unified vision. And Daniel Mariotti blends drawing\, photography\, printmaking\, and film in layers\, forcing the viewer to pick apart one from the other. \nCurator’s Statement:\nRespite reflects on human moments; like the surface of a clear lake disrupted by a pebble breaking the surface\, creating chaos that overtime slips back into its original peaceful state. \nWith the combined efforts of Christopher Colville\, Kenosha Drucker\, Nicholas Gutierrez\, Zach Baltzly\, and Daniel Mariotti\, the complexity of these moments are visually discussed.
URL:https://artintersection.com/event/respite-a-group-exhibition/
LOCATION:Modified Arts\, 407 East Roosevelt Street\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Hide from Upcoming,Modified Arts,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161021T080000
DTEND;TZID=America/Denver:20161113T170000
DTSTAMP:20260405T080529
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SUMMARY:The Presence of Absence
DESCRIPTION:eye lounge is pleased to present The Presence of Absence by Constance McBride. \nWhile living is fragile\, there is always a tenacity to survive. We crumple and thrash; in ruins\, but we still exist. As strong as the will is\, at some point we need to embrace the end. There comes a time when the living meets the dead. \n—– \nThe exhibition will run from October 21st to November 13th\, 2016. The artist will host an opening reception on Friday\, October 21st from 6 – 10 pm\, and will be in the gallery for First Friday on November 4th\, 2016\, during regular eye lounge hours\, and by appointment. \neye lounge is located at 419 E Roosevelt Street in Phoenix. The gallery is open Fridays from 6 – 9 pm\, Saturdays 1 – 5pm and Sundays 11am – 3pm and during MADE gift shop hours.
URL:https://artintersection.com/event/the-presence-of-absence/
LOCATION:Eye Lounge\, 419 East Roosevelt \, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Hide from Upcoming,Eye Lounge,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161021T080000
DTEND;TZID=America/Denver:20161203T170000
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SUMMARY:Take / Aim
DESCRIPTION:For the first time in human history\, more people live in urban environments than rural\, yet we continue to insist that we are the guardians and stewards of the land. Contemporary society relies on photography now more than ever to experience the wild and the natural. A confrontational topic\, such as hunting\, immediately becomes approachable and obtainable. This exhibition focuses on the complex and bizarre narratives encompassed within hunting culture. The opposition and objectification of nature simultaneously mirrors our fragile and romantic communion with environments and the various species of animals they contain. The photographers selected for this exhibition\, illustrate raw opinions as diverse in range as the attitudes and beliefs shared between hunters. Whether the artists themselves are active participants or captivated observers\, their images depict a correlation between destruction\, survival\, tradition\, and sport.\nOnce a common subject within art\, hunting has changed over time much like its creative portrayal. Whether it is a prehistoric drawing on cave wall\, a 16th or 17th century painting\, or a contemporary photograph\, the “hunt” has historically embodied the idea of predator versus prey. The continual changes however reference its social interpretation and acceptance. The most basic perception concerns the continuity of life through the generation of food\, a traditional view of hunting to survive. Be that as it may\, it has at certain points in time\, been culturally accepted as a sign of dominance\, displaying man’s compulsive desire to control nature. Yet today\, though commonly argued\, it pertains instead to some people’s sense of identity\, family recreation\, and a desire for a physical and psychological connection to land. Our assimilation into the intimate and unforgiving wild\, allows for a curious and beautiful affiliation\, and while our relationship to nature is not always understood\, we admire its honesty. It’s delicate and frightening\, peaceful yet violent. Hunting expresses both an opposition to and an integration with nature all at the same time. A true line in the sand\, where one can stand on either side\, but also a line so easily blurred with a swift kick.\n \nTake / Aim is an exhibition curated by William LeGoullon and presented in collaboration with Northlight Gallery and the Phoenix Institute of Contemporary Art. \nExhibiting Artists:\nAndrea Tese\nBrian Lesteberg\nBrooks Dierdorff\nDave Imms\nErika Larsen\nJason Vaughn\nJesse Burke\nJoe Mannino\nJordan Baumgarten\nMichael Tummings \nArtist Lectures:\nDuring the opening reception on October 21st at 6:30pm\, Jesse Burke will give an artist lecture. Most recently known for his latest book “Wild and Precious” (Published by Daylight Books)\, Jesse will be sharing insights about his work from his “Blind” series and thoughts about image creation\, family\, and the relationships we share with nature. \nDuring the closing reception on December 2nd at 6:30pm there will be an artist lecture by Brooks Dierdorff\, a photographic artist whose work expands beyond the printed image\, encapsulating elements of sculpture\, video\, and performance.
URL:https://artintersection.com/event/take-aim/
LOCATION:ASU Northlight Gallery\, 925 South Forest Mall\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Hide from Upcoming,ASU Northlight,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161022T080000
DTEND;TZID=America/Denver:20161203T170000
DTSTAMP:20260405T080530
CREATED:20160714T180734Z
LAST-MODIFIED:20160720T165653Z
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SUMMARY:Imprint - Alexandra Bowers • Mary Meyer
DESCRIPTION:This exhibition celebrates the work of two Arizona artists\, Alexandra Bowers and Mary Meyer\, whose marks\, clearly seen in every delicate handmade impression\, reflect the artists’ touch and time devoted to their creations. Through carving\, engraving\, and burning\, both artists create extraordinary\, beautiful\, and completely unique works of art. \nJoin us Saturday\, November 12 from 5 – 7pm for an Artists Reception and special holiday sale in the galleries! \n\nSonoran Desert Thistles by Alexandra Bowers \nMirror Trees by Mary Meyer
URL:https://artintersection.com/event/imprint-alexandra-bowers-%e2%80%a2-mary-meyer/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Hide from Upcoming,Featured
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161022T080000
DTEND;TZID=America/Denver:20161203T170000
DTSTAMP:20260405T080530
CREATED:20160824T200521Z
LAST-MODIFIED:20161103T232152Z
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SUMMARY:(re)View: Abstract\, Land\, and the Narrative
DESCRIPTION:In (re)View\, we take a more in-depth look at three significant darkroom-focused artists featured earlier in the year during the Light Sensitive exhibition. Art Intersection welcomes Philip V. Augustin\, B.K. Skaggs\, and Melanie Walker\, whose projects explore abstract formalism\, intimate landscapes and creative narrative. Each uses mediums of traditional or historical photographic processes in an exceptional way to express their diverse visions. Join us for a closer look at the extended bodies of work from each of these three artists and for the Walk and Talk with the Artists on Saturday\, November 12\, 4 – 5pm. Artists’ Reception to follow in the galleries from 5 – 7pm. \nUntitled\, 2011 by Philip V. Augustin \nSlump Apache Junction\, July 2004 by B.K. Skaggs \nTree House by Melanie Walker
URL:https://artintersection.com/event/review-abstract-land-and-the-narrative/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Hide from Upcoming,Featured
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