BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art Intersection - ECPv6.5.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://artintersection.com
X-WR-CALDESC:Events for Art Intersection
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Denver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20150308T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20151101T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20160313T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20161106T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151010T080000
DTEND;TZID=America/Denver:20160514T170000
DTSTAMP:20260405T080733
CREATED:20160124T004622Z
LAST-MODIFIED:20160124T004622Z
UID:10008532-1444464000-1463245200@artintersection.com
SUMMARY:The Lives of Pictures: Forty Years of Collecting at the Center for Creative Photography
DESCRIPTION:This exhibition commemorates the CCP’s fortieth year with a selection of distinctive objects from its collection. Featuring a wide range of works\, including some of the CCP’s most treasured objects\, the exhibition will bring together photographs and their related stories\, including those told by curators\, archivists\, and other key figures from the Center’s past and present. \nElectrical Switches\, Ralph Steiner \nThis exhibition is part of Phototapas\, celebrating February as Arizona’s month of photography. \n \n 
URL:https://artintersection.com/event/the-lives-of-pictures-forty-years-of-collecting-at-the-center-for-creative-photography/
LOCATION:Center for Creative Photography\, 1030 North Olive Road\, Tucson\, AZ\, 85721-0103\, United States
CATEGORIES:Hide from Upcoming,Center for Creative Photography,Community
ATTACH;FMTTYPE=image/jpeg:https://artintersection.com/wp-content/uploads/2016/01/81135009_0.jpg
GEO:32.2350428;-110.9547842
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Creative Photography 1030 North Olive Road Tucson AZ 85721-0103 United States;X-APPLE-RADIUS=500;X-TITLE=1030 North Olive Road:geo:-110.9547842,32.2350428
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160205T080000
DTEND;TZID=America/Denver:20160515T170000
DTSTAMP:20260405T080733
CREATED:20160122T235733Z
LAST-MODIFIED:20160123T174958Z
UID:10008539-1454659200-1463331600@artintersection.com
SUMMARY:Flowers\, Fruit\, Books\, Bones
DESCRIPTION:What is still life? Although at its most basic\, still life is an assemblage of inanimate objects\, historically the term refers to artworks that engage with concepts of achievement\, ephemerality\, and mortality. They rely on symbolic objects to suggest impermanence: flowers\, fruit\, books\, bones. The English term “still life” contrasts with the French term for the same genre\, nature morte\, literally “dead nature.” \nUnlike paintings\, which are primarily intended as artworks\, a still life photograph may originally have been made for another purpose. In “Flowers\, Fruits\, Books\, Bones: Still Life from the Center for Creative Photography\,” the exhibition features photographs initially made as descriptive documents intended for a range of uses\, from advertisements to teaching aids. Regardless of intention\, the exhibition explores how photographers use the characteristics of the medium such as focus\, abrupt framing\, and detailed description to extract\, isolate\, and describe their subjects. They direct our attention to shapes\, textures\, details\, edges\, colors\, negative spaces\, shadows\, and unexpected angles. \n \nA more common genre in paintings\, the exhibition includes paintings from Phoenix Art Museum’s collection\, inviting viewers to examine the ways photographers have approached the still life genre as compared to their painter counterparts. \nEach of the works invite the viewer to slow down\, to leave our normal lives behind\, if only for a moment\, and lavish our attention on each of these unique objects. For a moment\, in the gallery\, all motion\, all life\, is stilled. \nThis exhibition is part of PhotoTapas\, celebrating February as Arizona’s month of photography. \n \n  \nImage Credits:\nLeft: Johan Hagemeyer\, Untitled\, 1930s. Collection Center for Creative Photography\, © 2013 Jeanne Hagemeyer\, all rights reserved.\nMiddle: Wright Morris\, Straightback Chair\, Norfolk\, Nebraska\, The Home Place\, 1947. Collection Center for Creative Photography\, © 2003 Center for Creative Photography\, Arizona Board of Regents.\nRight: Karl Blossfeldt Blumenbachia hieronymi. Geschlossene Samenkapsel\, 18mal vergrössert\, 1900. Collection Center for Creative Photography.
URL:https://artintersection.com/event/flowers-fruit-books-bones/
LOCATION:Phoenix Art Museum\, 1625 N. Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:INFOCUS,Hide from Upcoming,Community
ATTACH;FMTTYPE=image/png:https://artintersection.com/wp-content/uploads/2016/01/FlowersFruit.png
GEO:33.466978;-112.072569
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Phoenix Art Museum 1625 N. Central Avenue Phoenix AZ 85004 United States;X-APPLE-RADIUS=500;X-TITLE=1625 N. Central Avenue:geo:-112.072569,33.466978
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160407T080000
DTEND;TZID=America/Denver:20160507T170000
DTSTAMP:20260405T080733
CREATED:20160405T220454Z
LAST-MODIFIED:20160405T220454Z
UID:10008548-1460016000-1462640400@artintersection.com
SUMMARY:William LeGoullon - "Marks"
DESCRIPTION:“Deserts are where people strive to make and leave a mark”” – William Fox \nMarks examines the interplay between two bodies of work by photographic artist William LeGoullon. His images expand upon an on-going discussion shared between man and the environments often referred to as desert. Yet he challenges the perception of a deserted\, unpopulated landscape through his use of symbolism\, artifacts\, and the documentation of specific narratives paralleling a romanticized persona of the once wild west and that of modern day symmetries in nature and the human experience. In one set of images\, he depicts the continually challenged identities of the southwestern landscape and the conscious and unconscious realities of relentless adaptation\, and unwavering permanence. In his other series\, he hints at a more distinct circumstance – the destructive yet seductively alluring act of shooting a firearm and it’s often harmful impact on the environment. In these photographs William finds beauty in rebirth through the metaphorical reinterpretation of objects as emblems of pleasure and violence. Together\, these bodies of work share an undeniable captivation with humanity’s mark making proficiencies and landscape’s ability to reshape and endure. \nMan on Dune\, William LeGoullon
URL:https://artintersection.com/event/william-legoullon-marks/
LOCATION:Gebert Contemporary\, 7160 Main Street\, Scottsdale\, AZ\, 85251\, United States
CATEGORIES:Hide from Upcoming,Gebert Contemporary,Community
ATTACH;FMTTYPE=image/jpeg:https://artintersection.com/wp-content/uploads/2016/04/GebertLeGoullon-header.jpg
GEO:33.4933887;-111.926962
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gebert Contemporary 7160 Main Street Scottsdale AZ 85251 United States;X-APPLE-RADIUS=500;X-TITLE=7160 Main Street:geo:-111.926962,33.4933887
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160419T080000
DTEND;TZID=America/Denver:20160618T170000
DTSTAMP:20260405T080733
CREATED:20160330T190107Z
LAST-MODIFIED:20160414T202526Z
UID:10008545-1461052800-1466269200@artintersection.com
SUMMARY:El Sueño Americano
DESCRIPTION:El Sueño Americano – The American Dream\nThere is something inherently disturbing behind many of the images presented in El Sueño Americano that defies logical and rational explanation: Why was all this thrown away? \nWorking as a janitor from July 2003 until August 2014\, I was greatly disturbed by the volume of food\, clothing and personal belongings thrown away at a single U.S. Customs and Border Patrol facility. For many of those years I was allowed to collect and deliver to our community food bank the food items carried by migrants that was discarded during the first stages of Border Patrol processing. The supervisor at the food bank who managed the program estimated the total amount of disposed items brought in was well over sixty tons. \nThe personal effects and belongings were another matter: Why would someone throw away a rosary or bible? Why would someone throw away a wallet? Why would a pair of shoes\, for all intents and purposes “brand new” be tossed in the trash? The ideals upon which this country was founded seem to be under attack as never before\, two hundred and forty years since we declared ourselves a nation. “The beacon of hope”: democracy\, equality\, fairness and freedom of or from religion seems more and more like a sales gimmick limited to certain groups of people. \nHow we treat others is a reflection of who we are. When belts\, shoelaces\, toothbrushes\, socks\, shoes\, underwear\, pants\, shirts\, keys\, jackets\, watches\, bibles\, wallets\, coins\, cell phones\,  jewelry\, pre-paid telephone calling-cards\, water\, food\, soap\, deodorant\, gloves\, medicine\, birth control pills\, blankets and rosaries are considered non-essential personal property and discarded\, regardless of their quantity and origin\, their disposal becomes an act of dehumanization. \nAn exhibition catalogue has been produced to accompany this exhibition\, featuring more than 60 of Kiefer’s photographs. This softcover book is 11×8.5 inches with 28 pages. Pre-order the book before April 23 and receive a signed copy with free shipping! \n \nTom Kiefer\nBorn in Wichita\, Kansas and raised primarily in the Seattle area\, Kiefer lived in Los Angeles for 20 years\, working first in Graphic Design/Advertising and then moving from two-dimensional visual arts to selling antique cast-iron beds\, which entailed traveling throughout the United States and Canada to gather merchandise. In 1998 he sold the business to pursue his efforts as a fine art photographer\, moving to Ajo\, Arizona in 2001 to lessen overhead and further his development as an artist. \nIn 2007\, Kiefer’s first project\, Journey West Exhibit\, which chronicled the landscape and structures that connect the cities of Phoenix\, Tucson and Ajo\, was presented at the Phoenix Airport Museum\, Tucson International Airport\, and Yuma Fine Arts Museum and continues to be exhibited throughout Arizona. From July 2003 until August 2014\, Kiefer was employed part-time as a janitor at a U.S. Border Patrol facility near Ajo. In August 2015\, El Sueño Americano\, an extensive photographic documentation of the personal effects and belongings of migrants discarded in the trash\, was released. It received immediate and notable recognition from LensCulture’s Top 50 Emerging Photographers and Photolucida’s Critical Mass Top 50. \n \n \nView more of Tom’s work at his website. \nImage Credits Thomas Kiefer/INSTITUTE
URL:https://artintersection.com/event/el-sueno-americano/
LOCATION:AZ
CATEGORIES:Hide from Upcoming,Gallery 4,Community
ATTACH;FMTTYPE=image/jpeg:https://artintersection.com/wp-content/uploads/2016/03/Small-TK_ESAP_002nd.jpg
END:VEVENT
END:VCALENDAR