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DTSTART;TZID=America/Denver:20151010T080000
DTEND;TZID=America/Denver:20160514T170000
DTSTAMP:20260427T024944
CREATED:20160124T004622Z
LAST-MODIFIED:20160124T004622Z
UID:10008532-1444464000-1463245200@artintersection.com
SUMMARY:The Lives of Pictures: Forty Years of Collecting at the Center for Creative Photography
DESCRIPTION:This exhibition commemorates the CCP’s fortieth year with a selection of distinctive objects from its collection. Featuring a wide range of works\, including some of the CCP’s most treasured objects\, the exhibition will bring together photographs and their related stories\, including those told by curators\, archivists\, and other key figures from the Center’s past and present. \nElectrical Switches\, Ralph Steiner \nThis exhibition is part of Phototapas\, celebrating February as Arizona’s month of photography. \n \n 
URL:https://artintersection.com/event/the-lives-of-pictures-forty-years-of-collecting-at-the-center-for-creative-photography/
LOCATION:Center for Creative Photography\, 1030 North Olive Road\, Tucson\, AZ\, 85721-0103\, United States
CATEGORIES:Hide from Upcoming,Center for Creative Photography,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160205T080000
DTEND;TZID=America/Denver:20160515T170000
DTSTAMP:20260427T024944
CREATED:20160122T235733Z
LAST-MODIFIED:20160123T174958Z
UID:10008539-1454659200-1463331600@artintersection.com
SUMMARY:Flowers\, Fruit\, Books\, Bones
DESCRIPTION:What is still life? Although at its most basic\, still life is an assemblage of inanimate objects\, historically the term refers to artworks that engage with concepts of achievement\, ephemerality\, and mortality. They rely on symbolic objects to suggest impermanence: flowers\, fruit\, books\, bones. The English term “still life” contrasts with the French term for the same genre\, nature morte\, literally “dead nature.” \nUnlike paintings\, which are primarily intended as artworks\, a still life photograph may originally have been made for another purpose. In “Flowers\, Fruits\, Books\, Bones: Still Life from the Center for Creative Photography\,” the exhibition features photographs initially made as descriptive documents intended for a range of uses\, from advertisements to teaching aids. Regardless of intention\, the exhibition explores how photographers use the characteristics of the medium such as focus\, abrupt framing\, and detailed description to extract\, isolate\, and describe their subjects. They direct our attention to shapes\, textures\, details\, edges\, colors\, negative spaces\, shadows\, and unexpected angles. \n \nA more common genre in paintings\, the exhibition includes paintings from Phoenix Art Museum’s collection\, inviting viewers to examine the ways photographers have approached the still life genre as compared to their painter counterparts. \nEach of the works invite the viewer to slow down\, to leave our normal lives behind\, if only for a moment\, and lavish our attention on each of these unique objects. For a moment\, in the gallery\, all motion\, all life\, is stilled. \nThis exhibition is part of PhotoTapas\, celebrating February as Arizona’s month of photography. \n \n  \nImage Credits:\nLeft: Johan Hagemeyer\, Untitled\, 1930s. Collection Center for Creative Photography\, © 2013 Jeanne Hagemeyer\, all rights reserved.\nMiddle: Wright Morris\, Straightback Chair\, Norfolk\, Nebraska\, The Home Place\, 1947. Collection Center for Creative Photography\, © 2003 Center for Creative Photography\, Arizona Board of Regents.\nRight: Karl Blossfeldt Blumenbachia hieronymi. Geschlossene Samenkapsel\, 18mal vergrössert\, 1900. Collection Center for Creative Photography.
URL:https://artintersection.com/event/flowers-fruit-books-bones/
LOCATION:Phoenix Art Museum\, 1625 N. Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:INFOCUS,Hide from Upcoming,Community
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Phoenix Art Museum 1625 N. Central Avenue Phoenix AZ 85004 United States;X-APPLE-RADIUS=500;X-TITLE=1625 N. Central Avenue:geo:-112.072569,33.466978
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160206T080000
DTEND;TZID=America/Denver:20160409T170000
DTSTAMP:20260427T024944
CREATED:20160127T234847Z
LAST-MODIFIED:20160127T235043Z
UID:10008817-1454745600-1460221200@artintersection.com
SUMMARY:Dancing Devils of Yare
DESCRIPTION:The Dancing Devils of Yare (Diablos Danzantes de Yare)\, a religious festivity representing the victory of good over evil through ritual dance performed by all male Dancing Devils\, has been celebrated since the 18th century in San Francisco de Yare\, Miranda State\, Venezuela. The Dancing Devils of Yare were recognized by UNESCO as an Intangible Cultural Heritage of Humanity in 2012. \nThe Sociedades del Santísimo (Societies of the Holiest)\, the oldest brotherhoods in the American continent\, are in charge of the celebrations. The brotherhoods are divided in hierarchical order\, represented by the number of horns in their masks.  Their celebration costumes comprise red shirts\, trousers and stockings\, a mask depicting a devil\, scapulars\, crosses\, rosaries\, and other sorts of amulets\, and carry in one hand a devil-shaped maraca and in the other a whip. \nThe folkloric festivity devotion is paid to the town’s patron Saint Francis de Paola\, to the Blessed Sacrament\, and to Jesus Christ as the devoted perform dances around the town’s main square and parade through the streets. \nLater in the day\, they move towards the front of the main church and once mass has ended the Eucharist is placed at the church’s entrance\, and a representation of a fight between the devils and the guardians takes place. Finally\, the devils surrender and kneel in front of the Eucharist to show submission. \nThis exhibition is a PhotoTapas event\, celebrating February as Arizona’s month of photography. \n \nAbout Gina Santi \nGina Santi was born and raised in Caracas\, Venezuela.  She graduated in Industrial Relations from the Universidad Católica Andrés Bello\, Caracas. She studied photography at the Universidad Santa María\, Caracas. She obtained her MBA from the Catholic University of America in Washington\, D.C. and continued her photography training at the Washington\, D.C. School of Photography.  She earned her Education degree and her M.A. in Cultural Anthropology from Northern Arizona University. \nShe teaches Spanish and Anthropology at the university level\, and in her capacity as an educator and administrator she has worked\, lived\, and traveled in many countries\, especially those where Spanish is the official language.
URL:https://artintersection.com/event/dancing-devils-of-yare/
LOCATION:AZ
CATEGORIES:Hide from Upcoming,Gallery 4,Community
ATTACH;FMTTYPE=image/jpeg:https://artintersection.com/wp-content/uploads/2015/02/Gallery4-YARE-31.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160305T180000
DTEND;TZID=America/Denver:20160416T180000
DTSTAMP:20260427T024944
CREATED:20160203T011750Z
LAST-MODIFIED:20190628T011521Z
UID:10008818-1457200800-1460829600@artintersection.com
SUMMARY:Light Sensitive 2016 - Celebrating Images from the Darkroom
DESCRIPTION:A Juried Exhibition Celebrating Images from the Darkroom\nArt Intersection presents our fifth annual Light Sensitive exhibition in the North and South Galleries. We are honored to have writer\, photographer and teacher\, Susan Burnstine\, as the juror of this year’s exhibition. \nLight Sensitive\, our signature juried exhibition\, celebrates the art of creating handmade images using traditional photographic printmaking processes. Work this year comes from national and international artists and includes cyanotype\, gelatin silver\, gum bichromate\, photogravure\, wet plate collodion tintype\, and many other traditional and experimental printing processes. \nThe Art Intersection curatorial staff will select three artists from Light Sensitive to show additional work in the (re)View exhibition running from December 13\, 2016 to January 7. 2017. \nAbout the Juror\nSusan Burnstine is an award winning fine art and commercial photographer originally from Chicago now based in Los Angeles. Susan is represented in galleries across the world\, widely published throughout the globe\, teaches workshops internationally and has also written for several photography magazines\, including a monthly column for Black and White Photography Magazine (UK). \nYou can read more about Susan on her website\, SusanBurnstine.com. \nJuror Statement\nIt was a great honor to act as juror for the fifth annual Light Sensitive exhibition. This year’s exhibit pays tribute to seventy-­‐five images created by forty-­‐six artists who used an impressive variety of traditional and handmade photographic print making processes\, including; gelatin silver\, wet plate collodion tintypes\, ambrotype\, gum prints\, cyanotype\, platinum/palladium\, kallitype\, vandyke\, lumen\, photogravure\, and silvertone. \nAs we are at a unique crossroads in photographic history\, a good deal of applause tends to focus on instant gratification images created and printed within the digital realm. Whether shot with a cameraphone\, digital point and shoot or DSLR\, processing software such as Photoshop and a variety of apps have become the status quo. Fortunately\, there are many craftsmen who desire to create handmade prints and objects that require a great deal of patience and skill. \nSelecting just seventy-­‐five images proved to be a difficult challenge as there was an impressive collection submitted. I applaud all of the accepted artists and congratulate every artist who took a leap of faith and submitted. \n– Susan Burnstine. January 29\, 2016 \nImages in Light Sensitive 2016 \nMany of these images are for sale and may be purchased by calling or visiting the gallery. We accept most forms of payments and we ship internationally. \n\n\n\n			\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n				\n						\n			\n				\n			\n		\n							 \n			\n		\n		\n		\n			\n\n\nClick here to view the Light Sensitive 2015 online gallery. \n\nFeatured Artists \nPhilip V. Augustin\nMariana Bartolomeo\nShawnda Bauer-Eli\nSusan Berger\nMichael J. Bischof\nDiana H. Bloomfield\nMarilyn Carren\nCarl Couchman\nSarah S. Curley\nDana Day\nMaureen Delaney\nMary M. Donato\nKarie C. Edwards\nErnesto Esquer\nBryan David Griffith\nKaren Hymer\nKaren Kirkpatrick\nAthene Kline\nJ. Jason Lazarus\nAndres Lopez/José M. Magano\nMarek Matusz\nJoseph Mougel\nDale O’Dell\nGeorge Omorean\nChristopher J. Palmer\nJoe Patronite\nVicki Reed\nRobert Renfrow\nMichelle Rogers Pritzl\nLes Rudnick\nDianna Rust\nSara Silks\nB.K. Skaggs\nRon Smid\nCaitlyn Soldan\nRoss Sonnenberg\nS. Gayle Stevens\nBill Vaccaro\nMelanie Walker\nCurt Walters\nTom Webster\nJeanne Wells\nFrancis M. Woods\nRyan Zoghlin
URL:https://artintersection.com/event/light-sensitive-2016-celebrating-images-from-the-darkroom/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Hide from Upcoming,Featured
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