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DTSTART;TZID=America/Denver:20151010T080000
DTEND;TZID=America/Denver:20160514T170000
DTSTAMP:20260422T082457
CREATED:20160124T004622Z
LAST-MODIFIED:20160124T004622Z
UID:10008532-1444464000-1463245200@artintersection.com
SUMMARY:The Lives of Pictures: Forty Years of Collecting at the Center for Creative Photography
DESCRIPTION:This exhibition commemorates the CCP’s fortieth year with a selection of distinctive objects from its collection. Featuring a wide range of works\, including some of the CCP’s most treasured objects\, the exhibition will bring together photographs and their related stories\, including those told by curators\, archivists\, and other key figures from the Center’s past and present. \nElectrical Switches\, Ralph Steiner \nThis exhibition is part of Phototapas\, celebrating February as Arizona’s month of photography. \n \n 
URL:https://artintersection.com/event/the-lives-of-pictures-forty-years-of-collecting-at-the-center-for-creative-photography/
LOCATION:Center for Creative Photography\, 1030 North Olive Road\, Tucson\, AZ\, 85721-0103\, United States
CATEGORIES:Hide from Upcoming,Center for Creative Photography,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151031T080000
DTEND;TZID=America/Denver:20160208T170000
DTSTAMP:20260422T082457
CREATED:20151010T001427Z
LAST-MODIFIED:20151010T001427Z
UID:10008800-1446278400-1454950800@artintersection.com
SUMMARY:Frida Kahlo - Her Photos
DESCRIPTION:An exhibition by Frida Kahlo Museum – Casa Azul/Diego Rivera Museum; Banco de Mexico Fiduciario en el Fideicomiso Museos Diego Rivera y Frida Kahlo \nThe Heard Museum presents a selection of more than 240 images from the 6\,500 which are part of the Blue House archive. The photographs\, along with Frida Kahlo’s personal items\, were locked in a room of the Blue House\, the residence where she spent most of her life\, and revealed to the public in 2007. The images have served as memories to Frida\, as work tools or as a means to exorcise solitude. The exhibition Frida Kahlo—Her Photos\, curated by the well-known Mexican photographer and photography historian Pablo Ortiz Monasterio\, shows the importance of this medium in Frida’s life. \nThe photographs – taken by Man Ray\, Martin Munkácsi\, Tina Modotti\, Edward Weston\, Nickolas Muray\, Manuel and Lola Alvarez Bravo and others – were cherished by Kahlo when she was immobilized and isolated in her bed. \nFrida Kahlo had a very special relationship with photography. Besides her personal background – both her father\, Guillermo Kahlo\, and her maternal grandfather were professional photographers – she brought different uses to photography: she collected daguerreotypes and visiting cards (carte de visite in French or tarjeta de visita in the original) from the 19th century\, she kept photographs upon which she put her personal stamp\, cutting things out from them\, writing dedications on them and personalizing them as if they were paintings. Some of the images have red lipstick kisses\, others are trimmed or folded. Some have personal notations on the reverse. \nThese images give visitors an intimate view of Kahlo’s life. The exhibition does not intend to depict a chronological biography\, but rather to exhibit parts of the personal history of an artist\, of a country and of a period. It is a photographic collage made up of images that allow us to discover new facets of a key figure of the 20th century. \nFor Frida Kahlo—Her Photos 241 photographs have been chosen\, organized into six main subjects: The Origins; The Blue House; Politics\, Revolutions and Diego; Her Broken Body; Frida’s Loves and Photography. The images throw new light on Frida Kahlo’s work as an artist\, a way of understanding her life in historical and cultural context\, and a demonstration of her passion for Mexico. \nMuseum admission is free on First Fridays and during the opening reception. Otherwise\, admission is $18 for adults\, $13.50 for seniors\, $7.50 for students and children over 7 years old\, and free for children under 5\, American Indians\, and museum members. 
URL:https://artintersection.com/event/frida-kahlo-her-photos/
LOCATION:Heard Museum\, 2301 North Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Hide from Upcoming,Heard Museum,Community
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160116T080000
DTEND;TZID=America/Denver:20160227T170000
DTSTAMP:20260422T082457
CREATED:20151201T192837Z
LAST-MODIFIED:20160115T183828Z
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SUMMARY:The City
DESCRIPTION:The North and South Galleries at Art Intersection will feature a solo show of fine art photography and premier of a new book from The City project by William W. Fuller.  For over 35 years Fuller explored cities\, photographing their architectural form and beauty with his black and white film\, and large-format camera. \nFrom the introduction to Fuller’s book\, The City\, Dr. Rebecca Senf\, curator of the Norton Photography Gallery at the Phoenix Art Museum\, wrote; “For over forty years\, Fuller has visited cities throughout the United States\, making pictures that heighten the abstract qualities of the urban structures he encounters.  His compositions emphasize formal qualities – light and shade\, shape and negative space\, line and pattern – by collapsing layers of buildings and sky into flat arrangements.  This modernist approach to making pictures\, one which privileges the visual qualities of the resulting photograph over the literal or symbolic meaning of the subject\, is one Fuller has pursued consistently and with lifelong dedication.” \nThe exhibition will be on view from January 19 – February 27\, 2016 and will feature an opening reception on Saturday\, January 16 from 6 – 8pm. \nThis exhibition and book signing are part of PhotoTapas\, celebrating February as the Arizona month of photography. \nSan Francisco\, California\, 1987\, William Fuller \n Los Angeles\, California\, 1986\, William W. Fuller \nAbout the Artist\nBorn in Cleveland\, Ohio\, in 1948 William W. Fuller grew up in Waukegan\, Illinois and Pittsburgh.  A graduate of Penn State\, Fuller has degrees in English and Speech.  His photographic work is in collections at the Sheldon Museum of Art in Lincoln\, Nebraska\, the Santa Barbara Museum of Art\, the Museum of Fine Arts in Houston\, and the Center for Creative Photography at the University of Arizona in Tucson.  His work has been featured in Lenswork and Black and White Magazine.  He lives with his wife Mary Ellen in the mountains north of Payson\, Arizona.  His daughter Willa is an artist in Baltimore. \nFuller on press for the printing of The City \nChicago\, Illinois\, 1987\, William W. Fuller \nAbout PhotoTapas\nPhotoTapas encourages collaboration and communication among galleries\, photography-oriented organizations\, and independent photographers within Arizona and beyond. The intent is twofold: to promote the art of photography throughout Arizona\, and to celebrate the medium by offering the community a diverse sampling of engaging photography-related activities and events such as exhibitions\, lectures\, seminars\, workshops\, demonstrations and portfolio sharing. \n \n 
URL:https://artintersection.com/event/the-city/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Hide from Upcoming,Featured
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160119T080000
DTEND;TZID=America/Denver:20160214T170000
DTSTAMP:20260422T082457
CREATED:20160105T193725Z
LAST-MODIFIED:20160105T215423Z
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SUMMARY:Working the Land: Arizona Farming and Ranching Families
DESCRIPTION:The exhibition Working the Land: Arizona Farming and Ranching Families features four local Arizona artists: Scott T. Baxter\, Gina DeGideo\, Jay Dusard\, and Jill Ison\, making contemporary photographic work of farming and ranching families and individuals\, still working in Arizona. \nWhether it is through the viewpoint of their own family’s lives\, documenting others\, or from conversations with historical photographs\, each artist has worked closely for years with the people in the photographs to show a dynamic look at their lives\, rarely seen by the common passerby \nThe exhibition will be held at Cattle Track Art Gallery and will be part of PhotoTapas – February photography month in Arizona. The exhibition runs from January 19th to February 14th\, 2016\, with a Closing Reception on Sunday\, February 14th\, from 1 to 4pm. \nImage by Scott Baxter \nImage by Gina DeGideo \nCattle Track Art Gallery \nCattle Track Arts Compound was built in 1937 and since then has been home to several well-established Arizona artists\, such as Philip Curtis\, a founder of the Phoenix Art Museum. Today\, printmakers\, sculptors\, painters\, photographers\, a blacksmith\, and others live and work on the property. The Cattle Track Art Gallery features original artwork from artists worldwide. To learn more visit the gallery at 6105 N. Cattle Track Road in Scottsdale or call (480) 420-4281. \nImage by Jill Ison \nPhotoTapas \nPhotoTapas encourages collaboration and communication among galleries\, photography-oriented organizations\, and independent photographers within Arizona and beyond. The intent is twofold: to promote the art of photography throughout Arizona\, and to celebrate the medium by offering the community a diverse sampling of engaging photography-related activities and events such as exhibitions\, lectures\, seminars\, workshops\, demonstrations and portfolio sharing. \nImage by Jay Dusard \n \n 
URL:https://artintersection.com/event/working-the-land-arizona-farming-and-ranching-families/
LOCATION:Cattletrack Arts Compound\, 6105 North Cattletrack Road\, Scottsdale\, AZ\, 85250\, United States
CATEGORIES:Hide from Upcoming,Cattletrack Arts Compound,Community
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160122T180000
DTEND;TZID=America/Denver:20160206T210000
DTSTAMP:20260422T082457
CREATED:20160121T183512Z
LAST-MODIFIED:20160123T174434Z
UID:10008813-1453485600-1454792400@artintersection.com
SUMMARY:Everything is Connected
DESCRIPTION:Everything is Connected\, the ASU Student Photographers Association Annual Members Exhibition\, was juried by Arizona State University alumna Carol Panaro-Smith. She has been an arts educator and administrator in the Phoenix area for over 30 years. Her bio states that her area of specialization is alternative photographic processes\, mixed media\, and book arts\, but truly it is in mentoring others and guiding them to a deeper expression of their creative practice. Carol Panaro-Smith is a teacher in the most soul-inspiring sense of the word. \nEach fall ASU SPA selects a photographer or curator to jury the annual members show and present a public lecture about their work. The exhibition is then hosted in the spring by Northlight Gallery before the club’s annual fundraiser. The ASU SPA Silent Auction held in April funds the juror’s lecture and other club events during the academic year. \nLast fall Panaro-Smith juried the exhibition and then met with students for individual portfolio reviews. As part of the review process she then selected small suites of images by each student to be featured in the exhibition\, Everything is Connected. This one-on-one critique is an invaluable experience for the students who are preparing for graduation and the review circuit of the professional artist. \nNorthlight Gallery at Grant Street Studios in downtown Phoenix will host Everything is Connected January 22 – February 6. The gallery is open noon to 5:00 on Thursday – Saturday\, and on First & Third Fridays from 6:00 – 9:00 p.m. Free parking is available on the west side of the building. \nJoin the student photographers\, faculty and staff for the closing reception on First Friday\, February 5 from 6–9 p.m. The featured student photographers will offer brief gallery talks about their work starting at 6:30 p.m. \nThis exhibition is part of PhotoTapas\, celebrating February as Arizona’s month of photography.
URL:https://artintersection.com/event/everything-is-connected/
LOCATION:Northlight Gallery\, 605 E. Grant Street\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Hide from Upcoming,ASU Northlight,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160204T080000
DTEND;TZID=America/Denver:20160227T170000
DTSTAMP:20260422T082457
CREATED:20160105T181434Z
LAST-MODIFIED:20160123T191455Z
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SUMMARY:Everything Echoes
DESCRIPTION:Tilt Gallery presents Everything Echoes\, with work from Little Rituals and Extrapolations\, two bodies of work by Jenny Lynn. The artist will be present for conversation and signing of her recent publication\, Eyebook\, on February 18 from 7 – 9pm\, coinciding with Scottsdale’s ArtWalk. \nJenny Lynn is an accomplished photo-based artist\, whose work has been widely exhibited\, collected\, and published. \nHer unique and varied work ranges from conceptual photographs\, to photograms\, collages\, and sculptural/ functional pieces. Best described as a “media mix\,” her artwork has been featured in Photo District News\, The NewYorker\, and ZOOM International magazines\, as well as on book covers\, for such publishers as Random House and Simon and Schuster.  Ms. Lynn is also well known for the widely-seen magazine advertisement ABSOLUT LYNN. (commissioned for the “Absolut Artists” series). \nMs. Lynn has also created a number of signature art objects\, such as her Eyewatch wristwatch\, Box of Blue\, and PhotoTotems. Her largest project to date is Dreams in Transit\, a 10-foot by 30-foot public art piece commissioned by New Jersey Transit\, permanently installed at the 9th Street Station in Hoboken\, New Jersey. \nJenny Lynn’s artwork is represented in many private and public collections\, including the Philadelphia Museum of Art\, the Center for Creative Photography\, and the Norton Museum of Art.  Ms. Lynn exhibits regularly at galleries and museums\, and her work was recently featured in her solo exhibition\, The Object is Art\, at the Katonah Museum of Art in New York. \nShe has taught and lectured at colleges\, universities\, and professional organizations throughout the country. Her retrospective monograph\, PhotoPlay\, features numerous examples of her inventive works. \nJenny Lynn was born in Tampa\, Florida\, and raised outside Philadelphia. After studying painting and photography at the Tyler School of Art\, she briefly pursued filmmaking at the New York University Graduate School of Film and Television. Returning to photography\, Ms. Lynn established herself as a freelance photographer and designer in New York City\, and later lived in Santa Barbara\, California\, before moving to Philadelphia\, where she currently resides and works. \nINFOCUS members are invited to a private viewing and preview reception with Jenny Lynn at Tilt Gallery on Thursday\, February 18 from 6:30 – 7pm. Prior to the gallery opening for downtown Scottsdale’s regular Thursday night Art Walk\, INFOCUS members will have the opportunity to preview Lynn’s two bodies of work\, “Little Rituals” and “Extrapolations.” The artist will be present to discuss her work and answer questions. \nThis event is free\, but limited to INFOCUS members only. There is no attendee limit\, however\, RSVPs are requested so that the hosts at Tilt Gallery will know how many attendees to expect. INFOCUS membership will be verified with registration. \nThis exhibition is a PhotoTapas event\, promoting February as Arizona’s month of photography. \n 
URL:https://artintersection.com/event/little-rituals-extrapolations/
LOCATION:Tilt Gallery\, 7077 East Main Street\, #14\, Scottsdale\, AZ\, 85251\, United States
CATEGORIES:Tilt Gallery,Hide from Upcoming,Community
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160205T080000
DTEND;TZID=America/Denver:20160515T170000
DTSTAMP:20260422T082457
CREATED:20160122T235733Z
LAST-MODIFIED:20160123T174958Z
UID:10008539-1454659200-1463331600@artintersection.com
SUMMARY:Flowers\, Fruit\, Books\, Bones
DESCRIPTION:What is still life? Although at its most basic\, still life is an assemblage of inanimate objects\, historically the term refers to artworks that engage with concepts of achievement\, ephemerality\, and mortality. They rely on symbolic objects to suggest impermanence: flowers\, fruit\, books\, bones. The English term “still life” contrasts with the French term for the same genre\, nature morte\, literally “dead nature.” \nUnlike paintings\, which are primarily intended as artworks\, a still life photograph may originally have been made for another purpose. In “Flowers\, Fruits\, Books\, Bones: Still Life from the Center for Creative Photography\,” the exhibition features photographs initially made as descriptive documents intended for a range of uses\, from advertisements to teaching aids. Regardless of intention\, the exhibition explores how photographers use the characteristics of the medium such as focus\, abrupt framing\, and detailed description to extract\, isolate\, and describe their subjects. They direct our attention to shapes\, textures\, details\, edges\, colors\, negative spaces\, shadows\, and unexpected angles. \n \nA more common genre in paintings\, the exhibition includes paintings from Phoenix Art Museum’s collection\, inviting viewers to examine the ways photographers have approached the still life genre as compared to their painter counterparts. \nEach of the works invite the viewer to slow down\, to leave our normal lives behind\, if only for a moment\, and lavish our attention on each of these unique objects. For a moment\, in the gallery\, all motion\, all life\, is stilled. \nThis exhibition is part of PhotoTapas\, celebrating February as Arizona’s month of photography. \n \n  \nImage Credits:\nLeft: Johan Hagemeyer\, Untitled\, 1930s. Collection Center for Creative Photography\, © 2013 Jeanne Hagemeyer\, all rights reserved.\nMiddle: Wright Morris\, Straightback Chair\, Norfolk\, Nebraska\, The Home Place\, 1947. Collection Center for Creative Photography\, © 2003 Center for Creative Photography\, Arizona Board of Regents.\nRight: Karl Blossfeldt Blumenbachia hieronymi. Geschlossene Samenkapsel\, 18mal vergrössert\, 1900. Collection Center for Creative Photography.
URL:https://artintersection.com/event/flowers-fruit-books-bones/
LOCATION:Phoenix Art Museum\, 1625 N. Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:INFOCUS,Hide from Upcoming,Community
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160205T100000
DTEND;TZID=America/Denver:20160318T000500
DTSTAMP:20260422T082457
CREATED:20160218T180116Z
LAST-MODIFIED:20160310T003937Z
UID:10008821-1454666400-1458259500@artintersection.com
SUMMARY:Call for Work - Emerge 2016\, Student Photography Exhibition
DESCRIPTION:Art Intersection invites photographers enrolled in an Arizona high school (including home school students)\, community college\, art school\, or university to submit work for consideration in Emerge\, an Arizona student photography juried exhibition.  This year’s submissions to Emerge will be juried by photographer William LeGoullon. \nAs part of our mission to support emerging artists\, we offer student artists an opportunity to show their work in the North and South Galleries at Art Intersection. Art Intersection staff will also select recipients for Best of High School\, Best of Post-High School\, and Best of Show. \nAbout the Juror \nWilliam LeGoullon is an artist raised and currently based in Phoenix\, Arizona. Since receiving his BFA from Arizona State University in 2009\, he has exhibited extensively both nationally and internationally including exhibitions in Los Angeles\, Philadelphia\, San Francisco\, Fort Collins\, Santa Barbara\, Seattle and Belgrade Serbia. In 2011\, LeGoullon was awarded a Contemporary Forum Emerging Artist Grant from The Phoenix Art Museum and exhibited in The Arizona Biennial at The Tucson Museum of Art. \nMore recently he was recognized as a Klompching Gallery FRESH 2015 Finalist and took part in this years Photo Tapas by showcasing a solo exhibition at Modified Arts Gallery. In addition to exhibiting his own works\, LeGoullon also explores independent curatorial work and teaches at Phoenix College. He plans to continue living and working in central Arizona. \nImportant 2016 Dates\nMarch 17 – Submissions Due\nMarch 23 – Submissions Announced\nApril 13 – Accepted pieces due at Art Intersection\, ready to be hung\nApril 23 – May 21 – Exhibition\nJune 4 – Work available for pickup\nJune 10 – Work begins shipping back using prepaid shipping labels \nSponsored by: \n \nUntitled\, Conor Elliott Fitzgerald (University of Arizona) – Best of Show\, Emerge 2015 \nSubmission Instructions to Emerge 2016 \nPlease Note: Submission entries with incorrect or incomplete information will not be accepted. Be sure to read the Submission Instructions carefully and provide accurate\, complete information. \nOops! We could not locate your form.
URL:https://artintersection.com/event/call-for-work-emerge-2016-student-photography-exhibition/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Hide from Upcoming,Call for Work,Featured
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