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DTSTART;TZID=America/Denver:20150822T080000
DTEND;TZID=America/Denver:20160109T170000
DTSTAMP:20260405T111629
CREATED:20150825T191532Z
LAST-MODIFIED:20150825T191532Z
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SUMMARY:Contemporary Mexican Photography: Existe lo que tiene nombre'
DESCRIPTION:With more than 50 photographic and video works produced within the past decade\, Existe lo que tiene nombre is the U.S. debut for many of the exhibiting artists. Ranging from humorous to disturbing\, personal to ambiguous\, the work of the 23 artists featured in this exhibition characterizes contemporary photography in Mexico.This exhibition is curated by Sergio De La Torre (San Francisco) and Javier Ramírez Limón (Tijuana) and is supported by the University of San Francisco\, The San Francisco Arts Commission and The Andy Warhol Foundation for the Visual Arts. The ASU Art Museum presentation of the exhibition is managed by Julio Cesar Morales and is supported by the Helme Prinzen Endowment.\n  \nABOUT SERGIO DE LA TORRE \nSergio De La Torre is a photographer and performance/installation artist\, who grew up in the Tijuana/San Diego area and migrated to San Francisco. His works have focused on issues regarding diaspora\, tourism\, immigration\, and identity politics. He is an assistant professor in the Art + Architecture department at the University of San Francisco. De La Torre’s work often invokes collaborations with the subjects and invites both intimate and critical reflections on topics related to housing\, immigration and labor. These works have appeared in the 10th International Istanbul Biennial\, Turkey; the Bienal Barro de America\, The 2nd Johannesburg Biennial; in the Cleveland Performance Art Festival\, Cleveland\, Ohio; the Atelier Frankfurt\, Germany; the Centro Cultural Tijuana; the Yerba Buena Center for the Arts in San Francisco; the TRIBECA Film Festival\, New York; and el Festival Internacional de Cine de Morelia. In 2001\, he and filmmaker Vicky Funari collaborated to create the documentary film Maquilapolis [city of factories]\, which explores stories of workers in Tijuana’s maquiladoras-factories. \n  \nPablo López Luz\, “Vista aérea de la Ciudad de México\, I\,” 2013. Inkjet on paper\, 39.5 x 48.6 in. Image courtesy of the artist.
URL:https://artintersection.com/event/contemporary-mexican-photography-existe-lo-que-tiene-nombre/
LOCATION:ASU Art Museum\,  51 E 10th St\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Hide from Upcoming,ASU Art Museum,Community
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151010T080000
DTEND;TZID=America/Denver:20160514T170000
DTSTAMP:20260405T111629
CREATED:20160124T004622Z
LAST-MODIFIED:20160124T004622Z
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SUMMARY:The Lives of Pictures: Forty Years of Collecting at the Center for Creative Photography
DESCRIPTION:This exhibition commemorates the CCP’s fortieth year with a selection of distinctive objects from its collection. Featuring a wide range of works\, including some of the CCP’s most treasured objects\, the exhibition will bring together photographs and their related stories\, including those told by curators\, archivists\, and other key figures from the Center’s past and present. \nElectrical Switches\, Ralph Steiner \nThis exhibition is part of Phototapas\, celebrating February as Arizona’s month of photography. \n \n 
URL:https://artintersection.com/event/the-lives-of-pictures-forty-years-of-collecting-at-the-center-for-creative-photography/
LOCATION:Center for Creative Photography\, 1030 North Olive Road\, Tucson\, AZ\, 85721-0103\, United States
CATEGORIES:Hide from Upcoming,Center for Creative Photography,Community
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151016T080000
DTEND;TZID=America/Denver:20160110T170000
DTSTAMP:20260405T111629
CREATED:20151010T003939Z
LAST-MODIFIED:20151013T171929Z
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SUMMARY:BEYOND BLUE:  CYANOTYPES OF LASZLO LAYTON
DESCRIPTION:The Desert Botanical Garden is pleased to present captivating portraits of nature by celebrated artist\, Laszlo Layton. This exhibition features cyanotype photographs of fascinating animals and objects that evoke charm and curiosity. The cyanotype\, also known as the “blueprint”\, is created with a simple chemical solution that forms a light sensitive emulsion known for its cyan-blue color. Layton hand paints each photograph\, giving his subjects a vivid\, lifelike enchantment. \nLayton has photographed the collections of the International Wildlife Museum in Tucson\, and the Los Angeles Museum of Natural History. He has exhibited throughout the United States\, and his work is held in both public and private collections\, including the Nelson-Atkins Museum of Art\, the Los Angeles County Museum of Art\, the Natural History Museum of Los Angeles County\, and the International Wildlife Museum of Tucson. \nThis exhibition is open from 10am – 5pm daily in the Ottosen Gallery in Dorrance Hall. Entrance is included in Garden admission. \nAdmission is as follows: \n\nAdult: $22\nSenior: $20 (60 years and older)\nStudent: $12 (13 – 18 and college with ID)\nChild $10 (3 – 12)\nChildren under 3 are admitted free.
URL:https://artintersection.com/event/beyond-blue-cyanotypes-of-laszlo-layton/
LOCATION:Desert Botanical Garden\, 1201 N. Galvin Parkway \, Phoenix\, AZ\, 85008\, United States
CATEGORIES:Hide from Upcoming,Desert Botanical Garden,Community
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151031T080000
DTEND;TZID=America/Denver:20160208T170000
DTSTAMP:20260405T111629
CREATED:20151010T001427Z
LAST-MODIFIED:20151010T001427Z
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SUMMARY:Frida Kahlo - Her Photos
DESCRIPTION:An exhibition by Frida Kahlo Museum – Casa Azul/Diego Rivera Museum; Banco de Mexico Fiduciario en el Fideicomiso Museos Diego Rivera y Frida Kahlo \nThe Heard Museum presents a selection of more than 240 images from the 6\,500 which are part of the Blue House archive. The photographs\, along with Frida Kahlo’s personal items\, were locked in a room of the Blue House\, the residence where she spent most of her life\, and revealed to the public in 2007. The images have served as memories to Frida\, as work tools or as a means to exorcise solitude. The exhibition Frida Kahlo—Her Photos\, curated by the well-known Mexican photographer and photography historian Pablo Ortiz Monasterio\, shows the importance of this medium in Frida’s life. \nThe photographs – taken by Man Ray\, Martin Munkácsi\, Tina Modotti\, Edward Weston\, Nickolas Muray\, Manuel and Lola Alvarez Bravo and others – were cherished by Kahlo when she was immobilized and isolated in her bed. \nFrida Kahlo had a very special relationship with photography. Besides her personal background – both her father\, Guillermo Kahlo\, and her maternal grandfather were professional photographers – she brought different uses to photography: she collected daguerreotypes and visiting cards (carte de visite in French or tarjeta de visita in the original) from the 19th century\, she kept photographs upon which she put her personal stamp\, cutting things out from them\, writing dedications on them and personalizing them as if they were paintings. Some of the images have red lipstick kisses\, others are trimmed or folded. Some have personal notations on the reverse. \nThese images give visitors an intimate view of Kahlo’s life. The exhibition does not intend to depict a chronological biography\, but rather to exhibit parts of the personal history of an artist\, of a country and of a period. It is a photographic collage made up of images that allow us to discover new facets of a key figure of the 20th century. \nFor Frida Kahlo—Her Photos 241 photographs have been chosen\, organized into six main subjects: The Origins; The Blue House; Politics\, Revolutions and Diego; Her Broken Body; Frida’s Loves and Photography. The images throw new light on Frida Kahlo’s work as an artist\, a way of understanding her life in historical and cultural context\, and a demonstration of her passion for Mexico. \nMuseum admission is free on First Fridays and during the opening reception. Otherwise\, admission is $18 for adults\, $13.50 for seniors\, $7.50 for students and children over 7 years old\, and free for children under 5\, American Indians\, and museum members. 
URL:https://artintersection.com/event/frida-kahlo-her-photos/
LOCATION:Heard Museum\, 2301 North Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Hide from Upcoming,Heard Museum,Community
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151115T080000
DTEND;TZID=America/Denver:20160112T000500
DTSTAMP:20260405T111629
CREATED:20151115T200652Z
LAST-MODIFIED:20151201T181934Z
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SUMMARY:Call for Work - Light Sensitive 2016
DESCRIPTION:Art Intersection presents Light Sensitive\, an annual juried exhibition of images created using traditional and alternative photographic processes. Past work has included analog c-prints\, platinum\, cyanotype\, gelatin silver\, gum bichromate\, wet plate collodion tintypes\, chemigrams\, and other printing processes. We are honored this year to have Susan Burnstine as the juror for Light Sensitive. \nThe Art Intersection curatorial staff will select three artists from Light Sensitive to show additional work during the (re)View exhibition in December 2016. \nClick here: Light Sensitive 2016 to view the PDF document Light Sensitive 2016 Submission Guidelines \nImportant 2016 Dates \n\nJanuary 11: Application and JPEG submissions due\nJanuary 23: Notification of selected work\nFebruary 20: Selected work due at Art Intersection\nMarch 5: Opening reception from 6 – 8pm\nApril 16: Exhibition closes at 6pm\n\nAbout the Juror \nSusan Burnstine is an award winning fine art and commercial photographer originally from Chicago now based in Los Angeles. Susan is represented in galleries across the world\, widely published throughout the globe\, teaches workshops internationally and has also written for several photography magazines\, including a monthly column for Black and White Photography Magazine (UK). \nYou can read more about Susan on her website\, SusanBurnstine.com. \n \nYou can view images from Light Sensitive 2015 by clicking here. \nOops! We could not locate your form.
URL:https://artintersection.com/event/call-for-work-light-sensitive-2016/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Call for Work
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151212T080000
DTEND;TZID=America/Denver:20160109T170000
DTSTAMP:20260405T111629
CREATED:20151201T180705Z
LAST-MODIFIED:20151215T221546Z
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SUMMARY:Next Level
DESCRIPTION:Join us in the North Gallery for Next Level\, juried by Art Intersection Executive Director Alan Fitzgerald. As part of our mission to Learn – Create – Exhibit\, this four-week exhibition highlights a small body of work made by participants of the Taking Your Work to the Next Level seminar offered bi-annually at Art Intersection. \nThe exhibition Next Level will be on view from December 12\, 2015 – January 9\, 2016 in the Art Intersection North Gallery\, with a closing reception on Saturday\, January 9\, from 5 – 7pm. \nAbout the Juror\nAlan Fitzgerald\, Executive Director of Art Intersection\, juried the work. In addition to overseeing the exhibitions and workshops at Art Intersection\, he has been invested in curating exhibitions addressing poignant social\, political\, and cultural issues in Gallery 4 at Art Intersection for the past year. Fitzgerald is a supporter of promoting local art venues and artists\, and in growing that community. Personally\, he enjoys shooting film and is a collector of photography and other fine art works hand-crafted by artists\, both contemporary and historical. \nExhibiting artists: \nMeredith Amadee \nAshley Czajkowski \nSarah S. Curley \nMichelle Jones \nConstance McBride \nEmily Penrod \nDiane L. Silver \nTheresa Tarara \n 
URL:https://artintersection.com/event/next-level-exhibition/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Hide from Upcoming,Featured
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151212T100000
DTEND;TZID=America/Denver:20160109T180000
DTSTAMP:20260405T111629
CREATED:20151107T213850Z
LAST-MODIFIED:20151218T003949Z
UID:10008520-1449914400-1452362400@artintersection.com
SUMMARY:(re)View: Explorations in Human Nature
DESCRIPTION:In the exhibition (re)View\, we take an extended look at work from four exceptional artists who exhibited work earlier this year in our annual Light Sensitive exhibition of hand-made darkroom works\, juried by Robert Hirsch. Artists: Jonah Calinawan\, Karen Hymer\, Amy Rockett-Todd (Director’s Choice)\, and Rebecca Sexton Larson were selected by the Art Intersection curatorial staff and invited to exhibit additional pieces from the bodies of work they showed in Light Sensitive. \nAll four artists are making work that relates to the natural world with the clear influence of man. Although each uses different light sensitive processes\, their subjects and scenes tie nicely to one another with a quality of surrealism and mystery. Join us for a Walk and Talk with the Artists on Saturday\, January 9\, as well as a Closing Reception in the South Gallery at Art Intersection. \nRising\, Jonah Calinawan \nGrate\, Amy Rockett-Todd \nRemnants 4\, Karen Hymer \nOcean of Baseness\, Rebecca Sexton Larson
URL:https://artintersection.com/event/review-exhibition/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Hide from Upcoming,Featured
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160107T080000
DTEND;TZID=America/Denver:20160130T170000
DTSTAMP:20260405T111629
CREATED:20150903T191233Z
LAST-MODIFIED:20160105T205357Z
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SUMMARY:Photography Re-Imagined V: The Artist's Hand
DESCRIPTION:Tilt gallery’s 5th annual “Photography Re-Imagined: the Artist’s Hand” juried show of one-of-a-kind mixed media photographic imagery features 33 art pieces\, which have been selected by the prominent photographer\, Holly Roberts\, out of 385 entries. \nAbout the Juror: Holly Roberts’ first national exposure came in 1989 with the publication of the monograph\, Holly Roberts\, from the Untitled Series published by the Friends of Photography. Although her work has always been based on the photograph\, it is the inclusion of paint that makes it distinct. Her recent works develop a narrative scene with collaged photographic elements\, making use of familiar or iconic stories to address tougher questions about man’s effect on the land and the animals that inhabit it. In 1990\, Nazraeli Press published Holly Roberts: Works 1989-1999\, and in 2009\, Holly Roberts: Works 2000-2009. Her work is held by more than 30 museums and universities. A dedicated teacher as well as a prolific artist\, she has had a profound effect on a community of artists around the country. She lives in the Southwest. \n \n  \n 
URL:https://artintersection.com/event/call-for-artists-photography-re-imagined-v-the-artists-hand/
LOCATION:Tilt Gallery\, 7077 East Main Street\, #14\, Scottsdale\, AZ\, 85251\, United States
CATEGORIES:Tilt Gallery,Hide from Upcoming,Community
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