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DTSTART;TZID=America/Denver:20241116T080000
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DTSTAMP:20260417T150634
CREATED:20241017T202726Z
LAST-MODIFIED:20250110T214949Z
UID:44808-1731744000-1736614800@artintersection.com
SUMMARY:Light Sensitive
DESCRIPTION:Art Intersection presents Light Sensitive\, our thirteenth\, international juried exhibition of images created using traditional darkroom\, historical\, and alternative photographic processes and methods. This year we are honored to have photographer and alternative photography process artisan Kerik Kouklis jury the submitted work. \nAs we have seen technology trends continue to popularize digital photography on our computer displays\, Light Sensitive highlights art from artists working in traditional and historical printing processes. \nLight Sensitive seeks to celebrate\, promote\, and reaffirm the art of handcrafted prints that uniquely belong to the tradition of light sensitive creative processes. Each year we are in search for work that represents creativity\, passion\, and displays the beauty of these light sensitive processes. \nBanner Images by Gary Baker\, Jennifer Spencer\, Mark Sawyer \n\nAbout the Juror\nKerik Kouklis is a fine art photographer\, filmmaker\, and educator who specializes in creating handmade photographs and documentary films. Born and raised in California with a background in music and a 30-year career as an environmental geologist under his belt\, Kerik combines a contemporary eye with 19th-century processes to produce work that is uniquely his own. Influenced by the pictorialists of the early 20th century\, he makes images that can be at once calm and unsettling. Working in a variety of formats from small digital cameras up to large view cameras\, Kerik uses both film and digital negatives to create his prints. Kerik’s website. \n\nJuror Awards\nWith a field of around seventy fine art prints and imagery in Light Sensitive selecting the artwork to award became very challenging. After several rounds of evaluating the highly competent and artful work over the course of the exhibition the following choices were made from all of the traditional and alternative process prints in Light Sensitive.  \nFirst – Marita Gootee\, Lost Future\, PH Encaustic Lumen Print with Mixed Media\nSecond – Ryan Zoghlin\, Squadrons (Edition 1 of 3)\, Cyanotype on Glass\, Mounted on Aluminum Sheet\nThird – Kent Corbin\, Saguaro #2 (Edition 2 of 2)\, Palladium Quadriptych\nJuror’s Choice – Tony Celentano & Ofelia Zepeda\, Crosses\, Matches\, and Aluminum Foil\, Carbon Transfer Prints in Handmade Book \nHonorable Mentions\nGary Baker\, Polychrome Twilight Epiphyllum\, Heliochrome Carbon Transfer\nScott T. Baxter\, William Faulk\, Denton\, Montana (Edition 1 of 7)\, Platinum/Palladium\nKevin Black\, A New Dawn\, Kallitype on Washi Paper\, Gilded\nKaden Bard Dawson\, Do You Feel Safe?\, Cyanotype Mixed Media\nSusan V. James\, Redtail (Edition 9 of 20)\, Hand-Colored Copperplate Photogravure\nGene Laford\, Maxwell is Cast as Cyrano de Bergerac in the Theater Guild Production of Gone with the Wind\, Wet Plate Collodion\nAnnie Lopez\, Dear Arizona\, Cyanotype on Tamale Wrapper Paper\, Thread\, Instant Film Image\nMarek Matusz\, Antelope Canyon No. 5\, Direct Carbon Print \nMark Sawyer\, The Fairy Circle\, Tintype \n\n				\n				Gwen Arkin\nSeaweed Study\nLumen Print Reproduction\n2024\n							\n				Gwen Arkin\nMa’o\nLumen Print Reproduction\n2024\n							\n				Gwen Arkin\nKilo\nPhotopolymer Intaglio\n2024\n							\n				Gary Baker\nIcefall Hanging Lake\, Colorado\nDouble Transfer Carbon Print\n2024\n							\n				Gary Baker\nEarly Spring Cottonwood\, Zion National Park\nTricolor Double Transfer Carbon Print\n2023\n							Honorable Mention\nGary Baker\nPolychrome Twilight Epiphyllum\nHeliochrome Carbon Transfer\n2023\n							Honorable Mention\nScott T. Baxter\nWilliam Faulk\, Denton\, Montana (Edition 1 of 7)\nPlatinum/Palladium Print\n2014\n							Honorable Mention\nKevin Black\nA New Dawn\nKallitype on Washi Paper\, Gilded\n2023\n							\n				Kevin Black\nJade\nKallitype on Teabag Paper\, Gilded\n2024\n							\n				Patrick Carr\nIs that Orson Welles? (Edition 1 of 8)\nGelatin Silver Print\n2023\n							\n				Patrick Carr\nSmiles (Edition 1 of 8)\nGelatin Silver Print\n2024\n							\n				Tony Celentano & Ofelia Zepeda\nBirth Witness\nEtched Wood and Wet Plate Collodion\n2024\n							Juror's Choice\nTony Celentano & Ofelia Zepeda\nCrosses\, Matches\, and Aluminum Foil\nCarbon Transfer Prints in Handmade Book\n2024\n							Third Place\nKent Corbin\nSaguaro #2 (Edition 2 of 2)\nPalladium Quadriptych)\n2024\n							\n				Kent Corbin\nMammillaria #1 (Edition 2 of 10)\nPalladium Print\n2024\n							\n				Kent Corbin\nDying Agave (Editon 2 of 3)\nPlatinum/Palladium Print\n2023\n							\n				Kate Dawes\nABBA\nPalliadum Print\n2023\n							\n				Kaden Bard Dawson\nDo You Feel Safe?\nCyanotype Mixed Media\n2023\n							Honorable Mention\nKaden Bard Dawson\nDo You Feel Safe?\nCyanotype Mixed Media\n2023\n							\n				Shane Dignum\nRoy’s Shop\, Los Angeles\, CA (Edition 1 of 25)\nGelatin Silver Print\n2023\n							\n				Shane Dignum\nNat’s Tool Chest (Edition 1 of 25)\nGelatin Silver Print\n2023\n							\n				Christine Federici\nBlizzard Through a Train Window\nGelatin Silver Print\n2009\n							\n				Francis Fullam\nDanielle\nGelatin Silver Print\n2022\n							\n				Pam Golden\nAnh Thuy Nguyen\nPalladium Print from Wet Plate Collodion\n2024\n							First Place\nMarita Gootee\nLost Future\nPH Encaustic Lumen Print with Mixed Media\n1986\n							\n				Michael C. Hughes\nJoshua Tree at Sunset\nPlatinum/Palladium print\n2024							\n				Michael C. Hughes\nAgave in Tecate\nPlatinum/Palladium Print\n2024\n							\n				Michael C. Hughes\nWaterfall Flora\nPlatinum/Palladium Print\n2024							\n				Jason Hunter\nRope (Edition 1 of 2)\nGelatin Silver\n2019							\n				Susan V. James\nEl Camino (Edition 6 of 30)\nCopperplate Photogravure\n2024\n							Honorable Mention\nSusan V. James\nRedtail (Edition 9 of 20)\nCopperplate Photogravure\n2024\n							\n				Jo Kubran\nRuby No. 2 (Edition 2 of 5)\nVanDyke Print\n2024\n							\n				Gene Laford\nMaxwell is Cast as Cyrano de Bergerac in the Theater Guild Production of Gone with the Honorable Mention\nWind\nWet Plate Collodion\n2020\n							Honorable Mention\nAnnie Lopez\nDear Arizona\nCyanotype on Tamale Wrapper Paper\, Thread\, Instant Film Image\n2024\n							\n				Marek Matusz\nWinter Snow\, Yosemite\nChrysotype\n2024\n							\n				Marek Matusz\nWinter Fog\, Yosemite\nFive-Layer Gum Bichromate\n2024\n							Honorable Mention\nMarek Matusz\nAntelope Canyon No. 5\nDirect Carbon Print (Fresson-like Process)\n2024\n							\n				Shaun McFarland\nTruck Load of Dates (Edition 1 of 3)\nGelatin Silver Print\n2024\n							\n				Monica McLean\nSilent Bloom (Edition 2 of 5)\nGelatin Silver Print\n2023\n							\n				Neil A. Miller\nOlive Tree Series No. 7\nGelatin Silver Print\n2004\n							\n				Mary A. Nation\nPoppies\nMordançage\n2023\n							\n				Mary A. Nation\nSpider Lily (Edition 1 of 5)\nGelatin Silver Print\n2023\n							\n				Mary A. Nation\nHibiscus (Edition 1 of 3)\nCyanotype\n2024\n							\n				Howard Pohl\nTilted Boat\nGelatin Silver Print\n2023\n							\n				Roy Pope\nPot Holes Glint\, Muley Point\, Utah\nGelatin Silver Print\n2021\n							\n				Roy Pope\nOwls Club Wall Shadow\, Tucson\, Arizona\nGelatin Silver Print\n2021\n							\n				Brenda Roger\nThe Will of Energy No. 2\nCyano-Lumen\n2024\n							\n				Brenda Roger\nHow to Avoid Sexual Harassment in the Wild West: Watch out for Pricks\nVanDyke Brown\n2021\n							\n				Brenda Roger\nHow to Avoid Sexual Harassment in the Wild West: Always Be Able to Out-Ride and Out-Shoot the Men\nVanDyke Brown\n2021\n							\n				Les Rudnick\nDance of the Butterflies\nDouble-Exposed Gelatin Silver Photogram\n2024\n							\n				Les Rudnick\nCosmic Bottle\nSolarized Gelatin Silver Photogram\n2022\n							\n				Mark Sawyer\nThat One Girl…\nAmbrotype on Bi-Concave Lens\n2024\n							Honorable Mention\nMark Sawyer\nThe Fairy Circle\nTintype\n2023\n							\n				Phyllis Schwartz\nThis is Not My Story\nCyanotype over Lumen Print\n2022\n							\n				Phyllis Schwartz\nOctober Afternoon\nCyanotype over Chemigram\n2022\n							\n				Brian Seek\nLa Mina\nCoffee-Toned Cyanotype\n2024\n							\n				Brian Seek\nExit\nGelatin Silver Print\n2023\n							\n				Deborah Silvis\nShiva - Kauai\nSolar Etching - Hand-Colored\n2024\n							\n				Deborah Silvis\nEfes - Turkey\nInfrared Film - Hand-Colored\n2016\n							\n				Deborah Silvis\nNets Drying - Tonga\nCibachrome\n1988\n							\n				Ron Smid\nAncestral Prayer (Edition 3 of 25)\nGelatin Silver Print\n2015\n							\n				Ron Smid\nWild Cherry Blossoms (Edition 2 of 25)\nGelatin Silver Print\n2021\n							\n				Jennifer Spencer\nCalifornia Poppy\nDASS Print of Lumen\n2021\n							\n				Jennifer Spencer\nWild Flower Bouquet\nDASS Print of Lumen\n2023\n							\n				Mark Timpany\nHigh Rise\nKallitype\n2018/2023\n							\n				Angela Franks Wells\nButterfly Effect (Edition 2 of 10)\nVanDyke Digital Hybrid\n2023\n							\n				Jennifer Williamson\nBlue Horse No. 11\nCyanotype\n2024\n							\n				Summer Raine Young\nI Can’t Forget to Finish This\nCyanotype\n2024\n							\n				Yelena Zhavoronkova\nCalendar (Edition 2 of 5)\nPlatinum/Palladium Print\n2024\n							\n				Ryan Zoghlin\n3 B-25’s (Edition 1 of 3)\nCyanotype on Glass\, Mounted on Oak\n2022\n							Second Place\nRyan Zoghlin\nSquadrons (Edition 1 of 3)\nCyanotype on Glass\, Mounted on Aluminum Sheet\n2013
URL:https://artintersection.com/event/light-sensitive-2024/
LOCATION:Art Intersection\, 207 N Gilbert Rd # 210\, Gilbert\, AZ\, 85234\, United States
CATEGORIES:Exhibitions,Hide from Upcoming,Featured
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